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Well, we’re a little over halfway through the open reading period for Fungi, the anthology that I’m co-editing with Silvia Moreno-Garcia. If you’ve still got fungus stories to send in, you’ve got until February 15th to get them to us. (See the guidelines here.)

In the meantime, I’m going to talk a bit about what we’ve already seen in the slush so far, and what we’d like to see more of. Silvia already posted her take here, and I don’t know that I have a ton to add, but I’m going to post anyway, because I’m editing an anthology, dammit, and I’m very professional!

This is my first time reading for an anthology, and so I wasn’t really sure what to expect, and I don’t know how what we’ve gotten stacks up against other anthologies, or slush piles for magazines, or what-have-you. A couple of things I can say is: Please, please, please put your word count in your cover letter? And put your cover letter in the body of your email? I don’t know how other people feel about this, but those two things make life a lot easier on me, anyway.

I’d also like to second and reinforce Silvia’s mention that we’ve been getting way too many then-I-turned-into-a-mushroom-the-end stories. I like mushroom people as much as the next guy (more, obviously), but at this point there definitely needs to be something more going on in the story if we’re going to take it. I’ll also agree that I would love to see a mushroom noir, if anyone’s got it in them.

Anyway, I think it’s shaping up to be a really exciting anthology so far, and I’m looking forward to seeing what we get in the remaining days!

Fungi, the anthology of fungal fiction that I’m co-editing for Innsmouth Free Press, opened to submissions on Sunday, and on that very same day I came down with a bad cold. Coincidence? Probably, but it’s pretty inconvenient all the same. Nevertheless, I don’t think I’ve fallen too far behind on reading subs.

This is my first time reading slush, or editing an anthology for that matter, so I don’t have anything to compare it to, but it seems to be going well enough so far. That said, while I don’t want to fall any further behind, I definitely want to see fungus subs keep pouring into that inbox, so please, check out the full guidelines here, and if you’ve got something to submit, send it our way!

On the heels of the Fungi anthology guidelines, my co-editor Silvia Moreno-Garcia has made a post about what she’d like to see in the slush, and I figured it would behoove me to attempt something along similar lines. Mine will probably ramble more than hers, and be less immediately helpful and bullet-point-y, but hopefully it’ll be at least a little informative if you’re thinking of submitting to our little fungus anthology. (Please do!)

Silvia talked about wanting stories that straddle genre. (Steampunk, etc.) And yes, we definitely want those stories. But I also admit to having a soft spot for a good traditionally weird or supernatural tale, and I’d love to see some of those, too. There’s a lot of good places you can go with a science fiction-ish angle on a fungus story, but my particular partiality is for supernatural tales, so I’m hoping to see a good mix of those in the slush, too. If in doubt, aim for menacing and atmospheric and creepy, as well as fun and inventive, and you’ll probably hit my wheelhouse.

The stories that got me interested in this theme in the first place were William Hope Hodgson’s “The Voice in the Night” and the Japanese film adaptation of same Matango. So while we obviously can’t do an anthology of nothing but mushroom people (and wouldn’t if we could), I’ll be very sad if we don’t get at least a few stories along those lines. (Probably no danger of that.) I’ll also be talking sometime in the coming days about some of my favorite fungus monsters from books, movies, video games, etc.

But your fungus monsters certainly don’t have to fit the Hodgson mold (no pun intended) to pique my interest. Feel free to go nuts making the weirdest fungus creatures you can come up with. One of the world’s largest organisms is a fungus, just to give you an idea. Nor are we only looking for stories of fungus monsters. As long as fungus plays a prominent role, then odds are we’re interested in taking a look.

Okay, so that’s some of what I’m looking for. How about what I’m not looking for? I don’t want to go into that too much, because there’s no rule I can make that won’t find an exception if the right author is doing it, but here’s a couple of caveats:

Not necessarily Lovecraftian. Don’t get me wrong, I’m a big fan of Lovecraft, but this being an Innsmouth Free Press book and Lovecraft’s work being as associated as it is with fungus, I don’t want to give the impression that this is Fungal Lovecraft that we’re doing here. Lovecraftian fungus stories certainly won’t be turned away at the door, and I’m expecting and even hoping to get a few, but don’t feel constrained to that. We’re looking for a wide range of weird fungal spookiness, so go to town.

Think twice about Cordyceps zombies. Again, I’m not saying don’t do them, but they’ve been all over the Internet lately, and I’ve already heard several people talking about them in relation to this anthology, so I have a feeling we’re going to get inundated with them. So if you’ve got a really killer Cordyceps zombie story, by all means, we want to see it, but just be warned that you’ll probably be part of a pretty big crowd.

Like Silvia, I won’t really know what I want until I see it, but this will hopefully help give an idea of where I’m coming from. Like I said, I’ll be posting in the coming days some more about some fungus creatures and stories of which I am particularly fond, and I’ll also try to give updates once the slush starts rolling in. As I’ve said before, this anthology is literally the culmination of a dream I’ve had for many years now, and so I’m very, very excited to see it come together. And if you have any questions or just want to talk fungi, please feel free to contact me here or at any of my various social networking whatevers.

It was a couple of years ago at Readercon when I first pitched the idea of a weird fungus anthology. Not to a publisher or anything, just to the writers around one of the tables in the bar. But even before that, I’d been thinking about it for a long time.

There’s a rich vein of fungal stories that runs through weird fiction, from Hodgson’s “Voice in the Night” through Lovecraft’s “Fungi from Yuggoth” all the way up to Jeff VanderMeer’s Ambergris books and others, but, to the best of my knowledge, it’s never been mined into an anthology gathered around that theme. Until now.

When I first started writing columns for Innsmouth Free Press, one of the first movies I mentioned to Silvia was the Japanese mushroom-person classic Matango, which she said traumatized her for life. The rest, as they say, is history.

Which is all an incredibly long-winded way of saying that, after talking about it and thinking about it for years, I’m finally going to be co-editing an anthology of weird fungus stories, alongside Silvia, for Innsmouth Free Press. To say that I’m excited about this project would be the worst kind of understatement. We’ve solicited some exciting authors, the official guidelines have gone up as of yesterday, and I’m looking forward to hopefully seeing lots and lots of awesome fungus stories come pouring in once the reading period begins. Between now and then–and throughout as well, I’m sure–I’ll be posting more about the anthology, about what I’m looking for as an editor, about some of my favorite fungus monsters, and so on, so stay tuned!

So much has happened in the last couple of days that I’m having trouble keeping it straight, so my lovely wife suggested that it might be wise for me to post a quick summary of it here so everyone following along at home could keep up. Or at least so I’d have something to refer back to.

First off, as you can see if you take a look around the site, my Vincent Price Halloween countdown is proceeding apace, and I’ve got a bunch more great stuff lined up for the rest of the week, so stay tuned for that!

Before I get into any of my own news, I want to quickly say a big congrats to my good friend Molly Tanzer on her recent announcement that Lazy Fascist Press will be publishing a collection of stories chronicling the cursed family of the infernal Ivybridge Twins. If you’ve read her original “Infernal History of the Ivybridge Twins” (first in Historical Lovecraft, then reprinted in The Book of Cthulhu) then you know why this is great news. If you haven’t, well, you’re in for a treat!

Now to less exciting news involving yours truly. First, my second column for Strange Horizons just went live. This one’s about cosmic horror in John Carpenter’s “Apocalypse Trilogy,” which is two subjects near-and-dear to my heart. Thanks to the wonderful S.J. Chambers for facilitating that, and to Strange Horizons for having me back!

Second, I was recently invited by Scott Candey to participate in the relaunched Spookatorium podcast, and the episode featuring my contribution (a brand-new vignette called “The Big, Dark House by the Sea”) went live today. That’s me reading it, though the recording quality on my part isn’t the best, because I’ve never recorded myself before, and I turned out to not be so great at it. But the rest of the podcast is aces, full of great music and other excellent tidbits. I’m in good company, too, as the previous episode featured none other than Richard Gavin, our Vincent Price Halloween guest for today.

Finally, a couple of pieces of news relating to Candle in the Attic Window have surfaced. The micro-interview I did on the subject at Innsmouth Free Press is up, and there’s a really nice review of the book over at Shock Totem, that has some pretty lengthy and complimentary things to say about my story.

I think that’s it for now (it’s plenty, right?), but, like I said, we’ve got a lot of other cool stuff coming in the lead-up to Halloween, so stick around.

For years (since at least 2007) I’ve wanted to edit an anthology of dark fungus stories. I love fungus monsters, from William Hope Hodgson’s “Voice in the Night” to Matango to various comic books and video games to the “moldy corpse” enemies from Castlevania: Portrait of Ruin. Fungus monsters are (some of) the best monsters, and they’re near and dear to my monster-loving heart.

Well, after all this time, I’m pleased to announce that that anthology is really happening! Back when I first started writing columns for Innsmouth Free Press, Silvia Moreno-Garcia and I had a discussion about Matango, in which I revealed that it was a favorite of mine, and she revealed that it scarred her for life. This, as they say, was the beginning of a beautiful friendship. I won’t trouble you with the specifics, but suffice it to say that somehow between then and now I tricked convinced them to let me co-edit (with Silvia) an anthology of fungus stories.

This’ll be my first anthology as co-editor, and I’ve already learned things I didn’t know about the process, but Silvia has been awesome and patient with me so far. It’s early days yet, so there’s not a lot I can announce, but it is really going to happen! We’ve got some really amazing writers who’ve already agreed to contribute pieces (again, sorry to tease, but they’ll have to stay under wraps for now) and big plans for the anthology, including possibly releasing a limited edition as IFP’s very first hardcover! That may not be much for now, but I promise you’ll be hearing a lot more about this one as it develops!

I’ve mentioned before that I’m going to have a story in Candle in the Attic Window, coming September 20th from Innsmouth Free Press (20% off pre-sale starting September 5th), but I wanted to talk about it again. I’m really excited about this anthology, and not just because the story in it is one of the best I’ve done, in my opinion. I’m excited about it because it’s a theme that’s nearer and dearer to my heart than just about any other anthology I’ve done so far. That theme, of course, is Gothic fiction.

What makes something Gothic can be a difficult thing to define or pin down, and one of the reasons I’m excited about Candle in the Attic Window is that I’m excited to see how all the other contributors defined Gothic for themselves. For me, my story is an homage to those great Vincent Price/Roger Corman Poe adaptations, and all the movies like them. But there’s a million different ways that the Gothic sensibility can find its way into a story, without just resorting to women in nightgowns holding candlesticks on the lawns of English manors. (Not that I don’t have a soft spot for those, too.)

One of the movies that I’m most looking forward to this year is the remake of Don’t Be Afraid of the Dark, produced and co-written by Guillermo del Toro and directed by former comic artist Troy Nixey. And one of the reasons that I’m looking so forward to it (besides the obvious, plus monsters) is that it looks so delightfully Gothic. A few years ago del Toro helped shepherd onto American shores another incredible, incredibly Gothic film in the form of The Orphanage. And now the recently revived Hammer films have unveiled the teaser trailer for their forthcoming re-adaptation of The Woman in Black, and, well, see for yourself:

Between all those and some other stuff like, say, the recent version of Jane Eyre (was that any good? did anyone see it?) and I think I’ll be excused for at least hoping that we’re looking at something of a renaissance in Gothic horror films. I’ll be keeping my fingers crossed on the subject, at least. Here’s to hoping that those I haven’t seen yet are as good as they look, and that, if they are, they do well enough that studios feel compelled to greenlight more.

The cover and table of contents for the second anthology from Innsmouth Free Press have been posted. As before, I’ve bolded my story, but, as before, I’m in some very august company, all of whom are well worth a look.

Dark Epistle, Jim Blackstone
Obsessions, Colleen Anderson
Stone Dogs, Paul Jessup
The Victorians, James S. Dorr
Liminal Medicine, Jesse Bullington
Nightmare, Wenona Napolitano
The Shredded Tapestry, Ryan Harvey
Desideratum, Gina Flores
The Seventh Picture, Orrin Grey
Housebound, Don D’Ammassa
Elizabeth on the Island, Josh Reynolds
At the Doorstep, Leanna Renee Hieber
The Ba-Curse, Ann K. Schwader
Broken Notes, Maria Mitchell
I Tarocchi dei d’Este, Martha Hubbard
The Malcontents, Mary E. Choo
Frozen Souls, Sarah Hans
New Archangel, Desmond Warzel
The Ascent, Berit K.N. Ellingsen
Nine Nights, Theresa Sanchez Bazelli
Vodka Attack, Meddy Ligner
The Forgotten Ones, Mary Cook
The City of Melted Iron, Bobby Cranestone
A Fixer-Upper, Amanda C. Davis
The Snow Man, E. Catherine Tobler
In His Arms in the Attic, Alexis Brooks de Vita
Hitomi, Nelly Geraldine García-Rosas

I’m very excited about this anthology. I’m a big fan of Gothic stories, and you don’t see many contemporary anthologies themed around them. At least, I don’t. So I think this is going to be something pretty special. It’s set to be released in September, so it should be out in plenty of time for your Halloween reading.

The Aristocrat, the Victorian, his Wife, and their Shoggoth
By Silvia Moreno-Garcia 

When we issued a call for historical Lovecraftian stories, Paula and I expected some Victorian stories. We also expected that there’d be more tales about men than women because the default mindset seems to be that women did not hold positions of power or significance in the past (though this is untrue on so many levels, especially when you consider different social classes in a given time period). Thus, we thought we’d get some of the more famous women in history (Cleopatra, Agrippina, Elizabeth I), but few tales about women who were not so famous, or women in certain cultures which seem very macho to the casual viewer (such as Prehispanic societies, for example). We did not, however, expect to find ourselves wondering where all the women had gone. Story after story featured a male Victorian aristocrat – other social classes were seldom represented. If we were lucky, maybe a wife or girlfriend was mentioned in passing. Most of the time, though, women were entirely absent.

Lovecraft did not have female heroines. Heck, some of his characters didn’t even seem to know what a woman was. However, it struck us as odd that, with so many cultures and periods in history to choose from, we’d have contemporary writers zeroing in on one period (Victorian England) and dismissing female characters as unworthy of study. Eventually, some feedback came up the grapevine telling me that some writers felt there were just not enough time periods and cultures in which women had enjoyed a significant or free enough position. There was just not enough material for inspiration. We may never do a Historical Lovecraft 2, but I thought I’d point out some interesting women who are absent from our anthology. Some of these may inspire new stories for you writers reading this post:

  • The Dahomey Amazons were an all-female military regiment of the Kingdom of Dahome. The regiment was created in the 17th century.
  • La Monja Alferez was a 17th-century woman who served as a soldier. Renowned for her temper and her prowess with a sword.
  • Blessed Hildegard of Bingen was an abbess and writer. Some of her work includes medical texts.
  • Trotula was an Italian female physician. She authored several important texts about women’s health.
  • Émilie du Châtele, French mathematician. She translated Isaac Newton’s Principia Mathematica.
  • Tapputi, possibly the world’s first chemist, from Mesopotamia.
  • Artemisia I of Caria, commander of the Persian king Xerxes. Remembered for her participation in the Battle of Salamis.
  • The Vestal Virgins were priestesses of Vesta, Goddess of the Hearth. They enjoyed a number of privileges, and were free to own property and make a will.
  • Ix Tzutz Nik might have been queen of Tikal in the Mayan Early Classic period. Alternatively, she might be a mythological figure. Or both, as Mayan rulers are often depicted as deities.

I do not intend this to be an exhaustive overview of women through history. However, I hope it will provide food for thought for those interested in writing historical fiction with fantastic elements.

In closing, I’d like to mention that we did not receive submissions set in one of my favourite time periods: Tudor England. For some reason, the Mexica (aka Aztecs) were also absent.

The final table of contents of Historical Lovecraft features a wide variety of cultures and characters – from monks to pilots. There are female characters from Iceland, Japan, Peru, and other places. I think it’s a good, sound mix. However, we did have to wade through a lot of Victoriana to arrive at a more eclectic selection. I’m still not sure why this happened, but it was an interesting experience.

Bio: Silvia Moreno-Garcia was born and raised in Mexico. She moved to Canada several years ago and now lives in beautiful British Columbia with her family and two cats. She writes speculative fiction (from magic realism to horror). Her short stories have appeared in professional publications such as Fantasy Magazine and Shine: An Anthology of Optimistic Science Fiction. She is a member of SF Canada, SFWA and HWA. She co-edited Historical Lovecraft with Paula R. Stiles.

I’m very happy to finally get to announce The Vault of Secrets, my new column on vintage horror cinema for Innsmouth Free Press! I’m really excited about this one, since, as anybody who’s been reading this for long knows, old horror movies are some of my favorite things in the world. That link will take you to the first installment, where I talk about Mark of the Vampire.

I came to the vintage horror scene late in the game. I didn’t grow up with these movies, like a lot of the people I know. I had never seen a Hammer movie or even one of the Universal movies until I was in college, and I didn’t get really into them until just a few years ago. When I did fall, though, I fell hard, and I’ve been watching them voraciously ever since.

What I grew up on instead were the great Crestwood House monster books. I read them again and again, and pored over the black-and-white stills all through my youth, which made finally watch these movies feel like a homecoming when it happened.

I’m looking forward to sharing a lot of obscure (and sometimes less obscure) old movies that I love with everyone. I’ve got the first six entries already planned out, as I’ll be going through all the movies in the really excellent Hollywood Legends of Horror Collection, which is one of my favorites among the many, many boxed sets of old horror movies I’ve picked up so far.

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