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Today, I finally made it out to the theatre to catch Avengers: Endgame, which means that I have now seen all 22 of the “Infinity Saga” (or whatever they’re calling it) films in the theatre, and I have done my duty by them (and they by me). I know that technically Phase 3 isn’t over until Spider-Man: Far From Home, but while I have every reason to assume I will see that in a theatre, too, this feels like the ending to me, and I’m good with that.

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I’m not really here to talk about Endgame, though. I’m here to talk about my books. Today is also the last day to pre-order Revenge of Monsters from the Vault direct from the publisher. The book will still be for sale through the regular channels when it launches in August, but we appreciate direct sales, and they put more money into my pocket. So if you’re thinking about buying Revenge of Monsters from the Vault (and I sincerely hope that you are) now is the ideal time to do it. But please hurry!

If you’re just coming here from… somewhere else, Revenge of Monsters from the Vault is the follow-up to my 2016 book Monsters from the Vault and, as such, it’s a collection of a whole bunch of essays about various classic (and not-so-classic) horror films from the silents to the ’70s, including such beloved and obscure titles as Condemned to LiveRevolt of the ZombiesThe Devil Bat, not one but two versions of The Black CatReturn of the VampireThe Giant ClawZombies of Mora TauDark IntruderX: The Man with X-Ray EyesBrotherhood of SatanThe Creeping Flesh, and lots more. If you’d like a taste of what you’re in for, you can read my essay on Toho’s “Bloodthirsty Trilogy” of Dracula movies right here.

Not already familiar with the previous volume? Not to worry, you can actually pick it up in a package deal with Revenge of Monsters from the Vault if you pre-order right now!

Today is also Walpurgisnacht. As most of you know, I wrote a story called “Walpurgisnacht” which originally appeared in the Laird Barron tribute anthology Children of Old Leech, and has since been reprinted in my second collection, Painted Monsters & Other Strange Beasts. If you’ve already read that one, though, plenty of other seasonally appropriate stuff can be found in my latest collection, Guignol & Other Sardonic Tales. I think “When a Beast Looks Up at the Stars” would be particularly well suited to the evening’s festivities, don’t you?

Speaking of witches, I was also a guest on the latest episode of the Nightmare Junkhead podcast where I talked in some rambling detail about my feelings on the new Hellboy movie (which has more than a few witches), the comics, Brian Lumley, and lots of other topics of occult interest. Greg D. and Jenius McGee of the Nightmare Junkhead podcast are the same cool folks who put on the Nerdoween Triple Feature that has become my birthday/Halloween staple every year, so it was a real pleasure to finally sit down with them in their inner sanctum.

Let us not bury the lede here: There is just over a week left to pre-order Revenge of Monsters from the VaultYou can get it direct from the publisher, avoid putting money in Amazon’s pocket by putting a little extra in mine, and get some special deals that you won’t be able to get any other way. If you’re planning to order, pre-ordering now is definitely the best way to do it! Go forth! Click!

It has obviously been a little while since I updated here. I didn’t post any kind of wrap-up of the Outer Dark Symposium on the Greater Weird in Atlanta because, frankly, the trip was a bit of a whirlwind, and I’m just now getting more-or-less fully recovered. Tyler Unsell of Signal Horizon and I drove overnight to get there, had a full day of programming, and then drove all day coming back. Not an ideal itinerary for restful cogitation.

Highlights, of course, include the various panels and readings of the Symposium itself, meeting Ben Thomas for the first time face-to-skull, hanging out with old friends like Jesse and Selena, and, of course, the Silver Scream FX lab where the Symposium was held, which was piled to the brim with monsters and magicians. Any more in-depth an exploration is simply beyond my capabilities at present.

monsters single coverI managed to come home without loading up on too many books, though I did pick up a copy of Whiskey Tales. I’ve been a fan of Jean Ray’s weird fiction ever since reading “The Mainz Psalter” and his classic weird novel Malpertuis, and I have been frustrated by the paucity of Ray stories that have been readily available in English, so it was with great pleasure that I learned that Scott Nicolay was taking it upon himself to translate the body of that writer’s collection of tales of the fantastique and with equal enjoyment that I read through this first installment, even if the stories themselves are a tad more prosaic than his more famous works–and a lot more anti-Semitic, more’s the pity.

In the time since my return from Atlanta, several things have happened that are worth noting, at least in brief. For starters, I received the gargantuan box containing the first part of my Hellboy boardgame, which I Kickstarted from Mantic Games some time ago. The box is as enormous as predicted, and filled with room tiles, miniatures, delightful cards, and all manner of fun stuff. To date, I’ve only essayed a couple of missions, but it has been a great deal of fun so far.

Speaking of all things Hellboy, well, there are lots of things Hellboy to speak of. Hellboy Day, marking the 25th anniversary of the series, happened while I was in Atlanta, and I was forced to miss the festivities, though I marked them as best I was able with an essay in appreciation of Mignola’s work that is included in the Symposium program book, alongside an illustration by Mignola himself.

Then, last weekend, the latest attempt at transposing the comics onto the big screen, this time helmed by Neil Marshall, hit theaters. So of course I went to see it. My reaction was… complicated. If that’s not enough of me rambling about it, you’ll be able to hear more when I’m a guest on the Nightmare Junkhead podcast soon, where we’ll be talking about the movie.

What’s more, yesterday saw the publication of the last issue of the regular B.P.R.D. series, which rings down the curtain on at least the “present day” of the Mignolaverse titles. There’s plenty of “Hellboy and the B.P.R.D.”-style adventures still left to see print, I’m sure, but this is certainly the end of an era, and it was delivered with sufficient pomp and circumstance.

I also published a few more reviews of older films for Signal Horizon and have penned more that are forthcoming over at Unwinnable, and I appeared on Monster Kid Radio talking about The Vampire Doll. If you like what you hear there, The Vampire Doll is just one of the many, many, many classic (and not-so-classic) monster movies I cover in Revenge of Monsters from the Vault, which, once again, you can pre-order right now!

Panic Fest is in the rear view and everything else is up ahead, so it’s been a week or so of catching up around here. There’s been a lot to catch up to, as well, as a lot has been going on kind of while I wasn’t looking.

For starters, Guignol & Other Sardonic Tales received a very generous review from Christine Morgan over at The Horror Fiction Review, which refers to my “consistently excellent quality and skill,” so of course I appreciate that. I also learned that my story “The Granfalloon,” which originally appeared in Darker Companions before being reprinted in Ellen Datlow’s Best Horror of the Year Volume 10, is being taught in an Advanced Creative Writing workshop that’s being offered by Richard Thomas!

Speaking of stories doing well for me, my story “The Hurrah (aka Corpse Scene)” made the Locus Recommended Reading List. I think this may be my first time on the list, and right now you can vote for my story (along with stories and books by lots of other authors) right here. (You don’t have to have a subscriber number, just a name and email address.)

I was interviewed by author Gwendolyn Kiste (whose novella Pretty Marys All in a Row I really enjoyed) at her website, and I was able to sneak in the first official mention, I think, of my next book-length project, which is a sequel to Monsters from the Vault called (of course) Revenge of Monsters from the Vault. It should be out later this year, covering 60 more classic (and not-so-classic) horror and monster movies from the silents to the ’70s including devil bats, ape fiends, space invaders, old dark houses, haunted stranglers, invisible dinosaurs, and a whole lot more!

(On the subject of my film writing, I also unwittingly discovered that I am cited extensively in the Wikipedia entry for John Carpenter’s The Thing. This thing I wrote eight years ago is getting me a lot of traction lately. It was also mentioned in the commentary track for the Scream Factory Blu of Someone’s Watching Me! and quoted in the Devil’s Advocate volume for In the Mouth of Madness.)

Most recently, the full table of contents was announced for Pluto in Furs, an anthology forthcoming from Plutonian Press, which will feature my story “Stygian Chambers” alongside tales by Gemma Files, Jeffrey Thomas, Adam Golaski, Richard Gavin, and many more.

That’s what’s been going on in the last few days, and there’s more on the way. I have other story sales that I can’t announce just yet, not to mention my appearance next month at The Outer Dark Symposium on the Greater Weird in Atlanta. I’ll also be a guest at the NecronomiCon in Providence in August, but more on that later…

 

Christmas is behind us now, for those who celebrate, though the New Year is still a few days away and we’re now locked in the holiday limbo period between the two. For myself, I’m playing catch-up around the house and trying to fight off a (hopefully minor) illness in time to go watch Full Moon movies on VHS all day this Saturday, a more exciting prospect than any mere holiday could ever provide.

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So, what better time for me to mention a few things that have been happening while I’ve been busy with this or that. For starters, I made a second appearance at the Legends of Tabletop podcast where I was interviewed by Leah Bond and I was a guest at the Horror Pod Class podcast along with Sean Demory where we all talked about Candyman, Jordan Peele’s forthcoming remake of same, Clive Barker in general, “In the Hills, the Cities” in particular, and lots of other topics.

(Speaking of Jordan Peele, the trailer for his next film dropped on Christmas day and it is glorious.)

The Horror Pod Class is put on by the folks at Signal Horizon, who are good enough to have me on staff as a Monster Ambassador. In my ongoing efforts to sully the sanctity of that title, I recently reviewed the Arrow Video Blu-ray of Bloody Birthday and before that the Blue Underground release of Maniac, neither of which I had ever seen before diving into them. I promise that I’ll have some more appropriately monster-iffic content coming in the near-ish future.

Speaking of the not-too-distant future, Panic Fest is somehow almost upon us again already and, as I do every year, I will be in attendance making the rounds and watching awesome movies. If you’re local to Kansas City or planning to come in for the Fest, let me know and hopefully I’ll see you there.

Then, in March, I’m going to be a guest once again at the Outer Dark Symposium on the Greater Weird, which is being held at the Silver Scream FX Lab in Atlanta, Georgia. First, though, I’ve got to survive the last few days of 2018…

 

Today is the day after the midterm elections here in the United States, so things are perhaps marginally better than they were yesterday. At least in Kansas we managed to replace Kevin Yoder with Sharice Davids and we got Laura Kelly for governor instead of Chris Kobach, so we could certainly have done worse.

I don’t talk a lot about politics on here, and that isn’t about to change now, but I did talk a little bit about politics on the latest episode of the Missouri Loves Company podcast with Brock Wilbur and Viv Kane (if that is her real name…). Of course, we also talked about fun horror, that video game of The Thing that they made years ago, what Jordan Peele is up to these days, Clive Barker’s Facebook tendencies, Venom greeting cards, why Brock hates art, and lots of other stuff.

One thing I want to mention, in that podcast I say that I try not to think about what’s going on in the world politically when I’m writing. To some extent that’s true, insofar as the day-to-day politics of the United States don’t specifically factor into most of my stories, but what I guess would be considered “my politics” definitely do make their way in, just in broader terms that I would think of more as ethics. The specter of racism hangs over several of my stories, classism plays a big role in tales like “Shadders,” anti-imperialism and anti-war sentiment shows up in “The Blue Light,” etc.

More than any of that, though, I try to write about characters who feel at least a little bit like real people, who deserve dignity from one-another, even when they don’t get it from an indifferent universe. Certainly, as someone who grew up feeling different, I have sympathy for the outsider, the Other, the monster. But I also just try to casually inject diversity into my stories, in a way that lays a groundwork for simple acceptance. I don’t know if I always succeed, but I do try.

There’s no such thing as a story that isn’t political, and I don’t want to get caught in the trap of saying that my stories aren’t. They are, often in ways that even I don’t realize, and I hope that they sometimes reflect what I think is important in the world, even when I’m usually not specifically thinking about what’s going on in the latest headlines as I write.

In other news, another glowing and thoughtful review of Guignol & Other Sardonic Tales recently showed up, this time on Heavy Feather Review: “At the heart of Guignol & Other Sardonic Tales is a monster, and it might just be us. The real question is, are you willing to pay the price to find out?”

 

A lot has happened in the [checks watch] day or so since Guignol & Other Sardonic Tales first officially started to appear in the world where better books are sold or, if you pre-ordered direct from the publisher, in your mailbox. Before I get to anything else, let’s do some quick housekeeping:

First thing’s first: Now that Guignol is available, how about a contest? Just post a photo of your copy of Guignol & Other Sardonic Tales to social media anytime in the month of October with the hashtag #Guignol, tag me, and you’ll be entered for a chance to win a DVD or Blu-ray chosen more-or-less randomly from my own personal collection, along with a note about why I own that movie in the first place, and what, if anything, it has to do with my work. (U.S. only, unfortunately.)

Next up, while Guignol has officially hit streets already, the launch event is still happening in a little over a week. I’ll be at Driptorch in Manhattan, KS on Friday night, October 12 and then hosting a FREE screening of Mario Bava’s Black Sunday at the Tapcade in downtown KC at 4:30 on Sunday afternoon, October 14. I’ll have copies of Guignol (and a few copies of Painted Monsters) at both events!

Now on to the new stuff: Guignol got its second-ever review, so far as I know, from Signal Horizon, calling it “Old-School Horror with a New School Sheen,” and I sat down to talk with Logan Noble about monsters and movies and movie monsters and writing and a bunch of other stuff. (For those who may have missed it, I also talked with Signal Horizon at the Screenland Armour a little before the book came out.) I’ll have more interviews and other stuff coming up as the month progresses…

In the meantime, it hasn’t all been Guignol around these parts. A few months back, I got a pile of screeners in the mail and turned them into a sort of home-brew film festival, which I wrote up for Unwinnable. Part One is here, tackling midnight movies like Twilight People and Bruce’s Deadly Fingers along with more “legitimate” fare like The Ghoul (not the Peter Cushing one or the Boris Karloff one).  Part Two goes even more off the rails, featuring a Mario Bava film, an unusual anthology flick, a morally ambiguous western, and a dark biopic of Jeffrey Dahmer.

A little more on-brand for me, I was also a guest on the Classic Horrors blog for the Countdown to Halloween where I wrote about the 1965 film Dark Intruder. Classic Horrors is the blog of Jeff Owens, who owned the video store where I worked in college, so this was a bit of a homecoming for me. And Dark Intruder, well, it’s something else. You’ll just have to read the post.

That’s about it for now, or it would be if I hadn’t been listening to the commentary track on the new Scream Factory Blu-ray of Someone’s Watching Me! yesterday while I was chopping veggies. The commentary is by Amanda Reyes, author of Are You in the House Alone? a book of TV movies from 1964 through 1999. I was just enjoying listening to her talk about TV movies in general and one of my favorite John Carpenter movies in specific when all of a sudden she quoted my 2011 Strange Horizons article on John Carpenter’s “Apocalypse Trilogy”!!!

Let’s pull that out and sit with it for a minute: I got quoted on the commentary track of a John Carpenter movie!

Not sure my week can get much better than that, but if it would like to try, I’m open to the idea.

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So, of course, the big news is that my latest collection, Guignol & Other Sardonic Tales is less than a month away! It’s currently available for pre-order from Word Horde, not to mention on all your favorite electronic devices! I’ll be talking a lot more about it as we get closer to release, but in the mean time, other things continue to happen, too…

My story “No Exit” appeared in Lost Highways: Dark Fictions from the Road from Crystal Lake Publishing not too long ago. “No Exit” is another in my very loose story-cycle of tales that take place in the same world–or, perhaps more accurately, the same version of this world–along with “Hollow Earths” in Chthonic: Weird Tales of Inner Earth from Martian Migraine Press and a few others that haven’t actually seen print yet and some that have before I knew that I was writing a story cycle. More on that as it develops.

Speaking of stories, I have a very short one called “Masks” in the latest issue of Forbidden Futures, a magazine inspired by (and featuring) the art of Mike Dubisch. “Masks” tells the tale of what waits in the cluttered townhouse of an old makeup artist who has passed on, but left a few things behind.

Aside from writing stories, I spend most of my time on various freelance content jobs. Not too long ago, one of my freelance clients put me on retainer to write original mysteries for a sort of monthly murder mystery box called The Murder Chronicles. The contents will include “found documents” like newspaper articles, journal entries, notes, photographs, and more, all painting the story of a new mystery every month in the fictional Kansas town of Baker City. So far I’ve written a few months worth, and the first one should be shipping as I write this!

Murder Chronicles

Because they’re work-for-hire you won’t find my name on them anywhere, and because they’re written to order, the results are much more your typical “cozy mystery” than the weird horror stuff that you’re used to from me. But if a monthly murder mystery sounds like your cup of poison, it would probably help keep me gainfully employed if you were to subscribe and see how you like it.

A few months ago I was also a guest on the Lit KC podcast with my friend and former co-worker Jason Preu. The episode went live today as the show’s season finale, and in spite of the fact that I recorded it in the midst of the various stresses that have been my last year or so, I actually seem relatively coherent throughout, though my facts about Guignol & Other Sardonic Tales are necessarily somewhat dated. For one thing, it is actually going to have no less than four (4) original stories, though it’s still only 14 stories long. (Ah, the mysteries of publishing!)

That’s about it for now, but the Halloween season has officially begun, with stores starting to stock suitably spooky doodads, so there’ll be lots of seasonal content coming from me, not to mention lots more about Guignol in the coming days and weeks. Stay tuned!