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As I warned earlier, you haven’t heard a lot from me this month, because I’ve been engaged in hammering on a novel-length work-for-hire project that I, unfortunately, can’t say much about just yet. But I hit enough of a milestone on it today that it seemed worth stopping to mention, especially given the timing.

I’ve never written a novel, and I have never even attempted to participate in National Novel Writing Month (aka, NaNoWriMo). In my efforts to knock out 90,000 words on this project in two months, though, I inadvertently seem to have done so this time around. It took me ’til the very last day, due to some unforeseen other freelance obligations falling into my lap earlier this week, but as of today I am just over 50,000 words into this project, which I started on November 1.

Which is to say that I guess I participated in NaNoWriMo for the first time ever this month after all, without really meaning to. It also means that this project is already the longest thing I have ever written, with another 40,000 more words to go in the month of December. More about it when I am allowed to say more, and in the meantime, don’t be surprised if you don’t hear from me for a while again. For now, I’m off to take a well-deserved break.

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If you follow me on social media (or, heck, even if you follow me here) then odds are you won’t notice much difference, but nonetheless, I felt it needed to be said that for the next two-and-a-half months or so, I’m going to be diving hard into a big freelance project that’s clamped down tight under a non-disclosure agreement, so there’s a good chance that I won’t be posting a lot here until sometime early next year.

Given that I already don’t post a whole lot on here, the change may not be very substantial, and as I said, if you follow me on social media, you’re likely to continue to see me around, as I’ll need to come up for air from time to time. That said, if I follow you on social media, then apologies in advance if I miss a lot more of your posts than usual over the next couple of months. Things are going to be a bit hectic around here. (More on it as soon as I have the freedom to share.)

Considering how hectic things have already gotten over the last few days, I had a good birthday and a quiet but otherwise good Halloween, even if I did end up turning in before midnight for maybe the first time in my life. (My pumpkin stayed lit, though, so I’m okay.)

Also, perhaps a bit surprisingly, perhaps not, I watched more movies in the month of October than I ever have in a single month since I started keeping my movie journal. 47, all told, which is probably what happens when you spend most of the month recovering from a tonsillectomy and unable to do much of anything (including sleep) besides stare at a flickering screen.

Of those 47, 26 were new to me, keeping nicely with my “more movies that I haven’t seen before than movies that I have” goal for 2017.

Those who’ve been around here awhile are probably already familiar with Pseudopod, but in case you’re not, they’re a terrific horror fiction podcast. I sold my first story to Pseudopod clear back in 2009, when I was still three years away from having a book out with my name on it. It remains a favorite, and you can listen to it here.

Over the years I’ve enjoyed a good working relationship with Pseudopod, and sold them a few more stories. The folks who work there are all great people who do great work, and though we (or at least I) tend to think of podcasts as something separate from, say, magazines, there are few horror publications going that consistently produce the kind of quality that you get from Pseudopod, full stop.

This year represents their tenth anniversary, and in honor of the occasion they’re holding a Kickstarter to raise funds to help pay narrators. (They already pay their authors pro rates, making them also one of the only consistent pro-paying all-horror markets around.) The Kickstarter has all sorts of great reward tiers, and one of the most exciting aspects is that the folks at Pseudopod have assembled their first anthology for the occasion, including some classic reprints from their archives but also featuring new tales by Damien Angelica Walters, A.C. Wise, and yours truly, to name a few.

I’m really happy with “New and Strangely Bodied,” the story that I wrote for For Mortal Things Unsung, and I’m excited for it to make its way out into the world. Besides the anthology, there’s a backer tier where you can get every one of my books, in case you don’t have those already, including the forthcoming deluxe edition of Never Bet the Devil & Other Warnings from Strix Publishing. (And speaking of Strix, there’s also a backer tier that gets you Never Bet the Devil along with Strix’s first publication, The Book of Starry Wisdom, featuring a deluxe illustrated treatment of three of Lovecraft’s stories, along with essays by myself and several other, more notable voices in the weird field.)

But really, I don’t need to be telling you any of this, because a picture is worth a thousand words, and there’s only one thing you really need to know: Look at this freakin’ tiki mug!

pseudopod

Over the last few weeks, I’ve acquired a lot of new Facebook friends and Twitter followers, thanks, I imagine, in no small part, to the recent Kickstarter to launch a deluxe second edition of my debut collection Never Bet the Devil & Other Warnings through my friends at Strix Publishing. Whatever it is that brought you here, though, I figure all these new faces are as good an excuse as any to stop, take a step back, and sort of remind everyone of who I am and what I do.

As my bio says, I’m a skeleton who likes monsters. I’m also a writer, editor, amateur film scholar, and monster expert who was born on the night before Halloween. (Before you ask, yes, skeletons are born, where else would we come from? We hatch out of coffins, just like everyone else.) I’m a full time freelance writer, and when I’m not doing content marketing work or writing licensed stuff for Privateer Press or penning articles about true crimes and other weirdness for The Lineup, I write stories about monsters, ghosts, and sometimes the ghosts of monsters.

My stories have appeared in dozens of anthologies, including Ellen Datlow’s Best Horror of the Year, and been collected into two collections, with a third on the horizon probably sometime in early 2018. Right now you can pick up Painted Monsters & Other Strange Beasts, my second fiction collection, from Word Horde, and that aforementioned deluxe edition of Never Bet the Devil & Other Warnings should be available to those who missed out on the Kickstarter very soon.

I have had stories recently published or forthcoming directly in Children of Lovecraft, which managed to cross two items off my bucket list (be in an original Ellen Datlow antho, and have something of mine appear behind a Mike Mignola cover), as well as Eternal Frankenstein, which you can pre-order now from Word Horde, The Children of Gla’aki which is nearing the end of a pre-order campaign at Dark Regions Press, and The Madness of Dr. Caligari, which you can pre-order from Fedogan & Bremer, to name just a few. I’ve also got a new novelette, The Cult of Headless Men, which is being released as a chapbook by Dunhams Manor, with an incredible cover by Michael Bukowski.

For a relatively succinct summary of my philosophy regarding my own work and my relationship with the genre of horror in general, check out my essay for Nightmare Magazine’s The H Word, “But Is It Scary?

I also spend an inordinate amount of time writing about horror movies, which you can find right here on my blog, as well as at my Patreon and occasionally other places, like the forthcoming October issue of Unwinnable, where I will be nattering on once again about Monster Squad, while all of my literary betters show me up by discussing more intellectual things, I have no doubt.

And if you can’t get enough of reading my rambling opinions on especially creaky old monster movies of yesteryear, all five-or-so years of my column on vintage horror cinema for Innsmouth Free Press have recently been collected into an affordable volume that you can buy right now, Monsters from the Vault.

So, for newcomers or those who just have a tough time keeping up, I think that’s a decent crash course in who I am and what I’ve been up to. There’s a lot more announcements in the works, so keep your radio tuned to this dial until long after you hear the static. That’s where the good stuff lurks…

So. August.

Recently, I picked up a temporary part-time job helping out at a local college bookstore for a few weeks. I did this for a variety of reasons, partly because money has been a little tight, partly to see how a part-time job would impact my freelancing schedule without a lot of commitment. What was supposed to be a 12-hour-a-week job when I applied for it is shaping up to be more like 25-30 hours a week, so how it’s impacting my schedule is: a lot. That said, and as is inevitably the case, work has also picked up, and August is already looking to be a very busy month for a handful of different reasons. These two things together are putting a strain on my free time, to put it mildly.

Something more is going on, though. 2015 has been a rough year. Not exactly bad, necessarily, at least not all the way through, but rough. Lots of exceptionally good things mixed in with lots of exceptionally bad or difficult ones. I think I’m just now starting to really get the distance that I need from the things I learned and experienced at the beginning of the year in order to really understand the damage that it all did, and that’s taking some adjustment to get used to. Which I guess is all a long-ish way of saying that, if you don’t hear from me much this month, don’t worry too much about it. If August does manage to kill me somehow, I’ve already left instructions on social media for my corpse to be propped up in front of the computer so it can try to finish my deadlines, Weekend at Bernie’s-style. More likely, I’ll emerge from the other side of this month as I have emerged from most everything else up to this point: Battered, perhaps, but ready for another round.

About a month ago, at the urging of several different people, I finally took the plunge and started a Patreon account. I’m far from alone in this, as many of the authors and artists I know have them, and many others have strong opinions about why they’re a good idea or a bad one, depending on who you ask. I’ll admit that I’m still not completely sold on their practicality, but I like the concept. The patronage model has always appealed to me; the notion that people who like someone’s work will choose to pay a little bit in order to make certain that work continues to happen. It is, to some extent, an idea that everyone who sets out to write fiction, make music, or create art probably holds to at least a little. If we didn’t, we wouldn’t bother.

Anyway, after a “soft opening” and a trial run through the end of June, my Patreon is now up and running for realsies, and you can head over there anytime you like and throw some money into my hat in exchange for exclusive, behind-the-scenes access into my creative process, such as it is. You can expect mostly snippets of works-in-progress that you’ll get to see well in advance of the general public, as well as the occasional original piece exclusive to Patreon backers, and insights into whatever oddball movies I’ve been watching lately. As my number of patrons continues to grow, so too will the amount of involvement that I have in the site, and the amount of patron-only content that shows up.

I’m still learning my way around the whole Patreon concept, and so the endeavor is still something of a work in progress. I’m working on Milestone Goals that will hopefully go up soon, and I’m very open to any input that anyone might have as to good options for those, or even alternate pledge tiers and so on. I want this to be a pretty flexible and fun undertaking, both for me, and for my patrons, so feel free to leave comments here or there or wherever. And, of course, the more patrons I get, the happier I am, so please share this post or the link to my Patreon far and wide.

Daniel Mills​ tagged me to name “seven things about my writing that you may not already know,” which is the sort of thing I would normally agonize over for several days before unceremoniously dumping it onto the Internet in the middle of the night. However, I don’t really have time for agonizing right now, so I’ll just skip straight to unceremonious dumping. Here are the first seven things that came to mind that might possibly qualify:

  1. While I don’t really have a process–it changes pretty drastically from story to story–I try, whenever deadlines permit, to write everything out completely at least twice. I find that in the course of writing it the second time, I catch things that I wouldn’t have noticed if I had simply been revising.
  2. I used to write to music compulsively, but these days I find that I can’t do it. Just about any kind of music seems to kill the rhythm of writing, with the recent notable exception of John Carpenter’s Lost Themes.
  3. Nathan Ballingrud once lamented that he couldn’t decide if he wanted to be William Faulkner or Robert E. Howard. (I believe I got those names right, Nathan?) I told him that I was pretty sure I just wanted to be Robert E. Howard (though Mike Mignola or E.F. Benson would probably have been better examples), and he basically told me to go out and do the best job of that I could. I’ve been trying to live by that advice ever since.
  4. I’ve known that I wanted to write pretty much forever, but probably the biggest turning point in my development as a writer came when I was introduced to Roger Zelazny through his Chronicles of Amber books. Something about Zelazny’s prose transformed me from someone who wanted to write, into someone who wanted to write better.
  5. Though it is, I think, somewhat unfashionable to admit such a thing right now, my writing is heavily influenced by film, though less, I hope, in the form of “here’s a thinly-veiled fanfic of my favorite TV show” or “here’s a story that I really wanted to be a screenplay but I figured I could sell it quicker this way” and more simply that years of watching and digesting movies has left an indelible stamp on my imagination. In his own version of this meme, Daniel mentioned that he was “critical of the influence of film on contemporary fiction,” and went on to enumerate a number of reasons, all of which made good sense. One of those was that “the first-person tense is eliminated.” A look over my stories shows that I am, at least, not in any danger of that, since I dearly love writing in both first- and the much more oft-maligned second-persons.
  6. I currently write for a living, but the majority of my income doesn’t come from fiction–licensed or otherwise–but from content work for various corporate websites and blogs. Which is not as much fun as writing about wax museums, lost films, and unlikely ghosts, but it does pay better, at least for now.
  7. If I were ever to print out some sort of motivational saying and have it framed above my desk to inspire me when I’m writing, it might well be a quote from Alan Moore’s introduction to the second Hellboy collection, Wake the Devil: “The trick, the skill entailed in this delightful necromantic conjuring of things gone by is not, as might be thought, in crafting work as good as the work that inspired it really was, but in the much more demanding task of crafting work as good as everyone remembers the original as being.”