Over the last few weeks, I’ve acquired a lot of new Facebook friends and Twitter followers, thanks, I imagine, in no small part, to the recent Kickstarter to launch a deluxe second edition of my debut collection Never Bet the Devil & Other Warnings through my friends at Strix Publishing. Whatever it is that brought you here, though, I figure all these new faces are as good an excuse as any to stop, take a step back, and sort of remind everyone of who I am and what I do.
As my bio says, I’m a skeleton who likes monsters. I’m also a writer, editor, amateur film scholar, and monster expert who was born on the night before Halloween. (Before you ask, yes, skeletons are born, where else would we come from? We hatch out of coffins, just like everyone else.) I’m a full time freelance writer, and when I’m not doing content marketing work or writing licensed stuff for Privateer Press or penning articles about true crimes and other weirdness for The Lineup, I write stories about monsters, ghosts, and sometimes the ghosts of monsters.
My stories have appeared in dozens of anthologies, including Ellen Datlow’s Best Horror of the Year, and been collected into two collections, with a third on the horizon probably sometime in early 2018. Right now you can pick up Painted Monsters & Other Strange Beasts, my second fiction collection, from Word Horde, and that aforementioned deluxe edition of Never Bet the Devil & Other Warnings should be available to those who missed out on the Kickstarter very soon.
I have had stories recently published or forthcoming directly in Children of Lovecraft, which managed to cross two items off my bucket list (be in an original Ellen Datlow antho, and have something of mine appear behind a Mike Mignola cover), as well as Eternal Frankenstein, which you can pre-order now from Word Horde, The Children of Gla’aki which is nearing the end of a pre-order campaign at Dark Regions Press, and The Madness of Dr. Caligari, which you can pre-order from Fedogan & Bremer, to name just a few. I’ve also got a new novelette, The Cult of Headless Men, which is being released as a chapbook by Dunhams Manor, with an incredible cover by Michael Bukowski.
For a relatively succinct summary of my philosophy regarding my own work and my relationship with the genre of horror in general, check out my essay for Nightmare Magazine’s The H Word, “But Is It Scary?”
I also spend an inordinate amount of time writing about horror movies, which you can find right here on my blog, as well as at my Patreon and occasionally other places, like the forthcoming October issue of Unwinnable, where I will be nattering on once again about Monster Squad, while all of my literary betters show me up by discussing more intellectual things, I have no doubt.
And if you can’t get enough of reading my rambling opinions on especially creaky old monster movies of yesteryear, all five-or-so years of my column on vintage horror cinema for Innsmouth Free Press have recently been collected into an affordable volume that you can buy right now, Monsters from the Vault.
So, for newcomers or those who just have a tough time keeping up, I think that’s a decent crash course in who I am and what I’ve been up to. There’s a lot more announcements in the works, so keep your radio tuned to this dial until long after you hear the static. That’s where the good stuff lurks…