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revenge of monsters from the vault

Tomorrow night, I leave for Atlanta to attend the Outer Dark Symposium on the Greater Weird, which is being held in the belly of a real-life monster lab, aka Silver Scream FX Lab. As I write this, there’s still a few hours left to get in on the IndieGoGo, with plenty of cool swag up for grabs. (I’ve got an essay in appreciation of Mike Mignola–along with some art by Mike himself–in the program book!)

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Because I’m gonna be otherwise occupied over the next few days, I managed to sneak into a preview screening of Jordan Peele’s latest last night, and I wrote up my (as spoiler-free as possible while still actually talking about the movie at all) impressions for Signal Horizon. It’s a movie I’m looking forward to talking about a lot more once other people have seen it.

I figured, since I’m headed out of town anyway, and I just posted a new film review for an actual new film, rather than something stumbling onto Blu-ray from the ’90s or the ’70s, it was probably a good time to talk about my film writing a bit. (There’s also the little fact that Revenge of Monsters from the Vault is currently up for pre-order.)

For various behind-the-scenes reasons, I’ve been doing a lot more film writing lately, and posting it places other than here, mostly Signal Horizon and Unwinnable. I think, in doing so, I’m also carving out, bit by bit, my own identity as a film writer, whatever that actually means.

I’m especially proud of the writing I recently did for Unwinnable about Audition, an incredible film that I hadn’t seen in almost twenty years. But I also wrote about kickboxing cyborg movies in general and Albert Pyun’s Nemesis in particular, and about the 1994 Double Dragon movie–which, I didn’t know until I was writing about it, was only the second live-action video game adaptation ever made. Which maybe explains some things?

I haven’t had as many things pop up at Signal Horizon lately, though you can go back and read my reviews of stuff like Bloody Birthday and Fulci’s Zombie. More recently, I wrote about the new Arrow Blu of Horror Express, a film that I also covered in the first volume of Monsters from the Vault. (Which, it bears repeating, you can get if you pre-order its sequel here.)

There’s lots more like that on the way, but that ought to keep you all occupied while I’m out of town. If you’re coming to the Outer Dark Symposium, I’ll see you there, and if we haven’t already met, come up and say hi. And if anyone wants to bring me any Hellboy Day swag, I’ll be tied up with Symposium stuff all day on Saturday, so it would be much appreciated!

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A large number of years ago (let’s not worry ourselves overmuch about how many) I started writing a column for Innsmouth Free Press. In it, I had the fairly wide charter of writing about “vintage” horror films, which meant, in practice, everything from the silents to the ’70s. We called it the Vault of Secrets, and I wrote it for five years.

Around the end of that time, Silvia, my publisher at IFP, approached me about the idea of collecting those columns into a book, and Monsters from the Vault was born. What we didn’t know, as we were putting the book together, was that the Vault of Secrets was about to shut down, as IFP ceased online publication. Hence, Monsters from the Vault collected every Vault of Secrets column that was ever published into one convenient tome.

However, being me, I didn’t write my Vault of Secrets columns one a month as they came out. Instead, I ran ahead, and there were several columns I had written before the publication of Monsters from the Vault that hadn’t ever seen the light of day.

For a while, I was unsure what to do with these columns. I considered publishing them on my own website or offering them as rewards on my short-lived Patreon, but ultimately nothing felt quite right, until I hit upon the idea of adding to them and putting out a companion volume to Monsters from the Vault.

Revenge of Monsters from the Vault collects those orphaned columns, sure, but they represent only a tiny fragment of its total page count. A few of the pieces collected here have even shown up online in one place or another, but not many. Most of this book is made up of totally new stuff, written specifically for this volume.

Beginning with a beautiful but underseen film released in 1926 and ending with Toho’s “Bloodthirsty Trilogy” of vampire movies from the 1970s, Revenge of Monsters from the Vault covers a lot of territory. There are sixty films packed into these pages, which is fewer than last time, but each entry is longer, on average, with the shortest entries in Revenge averaging about as long as the longest entries in the previous volume.

Within these pages you’ll find ape fiends, invisible dinosaurs, wax museums, devil bats, zombies, hunchbacks, haunted stranglers, cat people, flying serpents, creatures with an atom brain, terrors from beyond space, cities of the dead, snake women, men with x-ray eyes, and weirder things. There are four films from producer Sam Katzman, a couple from director William Castle, and an exploration of all four of the movies that spun out from Roger Corman’s purchase of the Yugoslavian crime film Operation Titian, to name just a few.

Pre-order today and you can get signed copies of both Revenge of Monsters from the Vault and its progenitor, not to mention some cool swag including a bookmark, postcard, and sticker, all for just $22 plus shipping!

If you’re already a proud owner of Monsters from the Vault, you can always pick up just the new one, which boasts matching cover art from Thomas Boatwright, and keep them both on your entertainment system for quick reference as you’re unearthing old, spooky movies to watch on a dark and stormy night…

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