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guignol

It’s the first day of December, which means that I’ve finally started reading Matthew M. Bartlett’s Of Doomful Portent, illustrated by Yves Tourigny, which has been sitting on my shelf, taunting me for some time now. The plan is to do it up like a proper advent calendar and read one story a day from now until Christmas.

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In the meantime, for those who can’t get enough of hearing me ramble about movies, you’ll be pleased to know that I’m going to be reviewing a lot more of them in the near future. Most of them won’t be here, however, they’ll be in various other venues, notably Signal Horizon, where I have the title of “Monster Ambassador,” maybe the best business title I have ever gotten, and Unwinnable.

Right now, you can read my recent reviews of the 40th anniversary Blu-ray of Lucio Fulci’s Zombie (which I had never actually seen before) and the Unearthed Films Blu-ray of The Unnamable (which I had also never seen before) over at Signal Horizon, and a double review of Torso and The Wizard of Gore are coming soon to Unwinnable.

If you’re really eager, you can catch up on previous reviews of Blade of the Immortal and Toho’s “Bloodthirsty Trilogy” that I wrote for Unwinnable while you wait.

I haven’t written a review for it anywhere, but if I only convince you to watch one movie in the immediate future, make it Errementari on Netflix. In a year without a Lowlife, Errementari would have no trouble being my favorite film of 2018 so far. As it is, the two are neck-and-neck. For some idea of what Errementari is like, think a Basque version of Pan’s Labyrinth set during the Carlist Wars, with suit actors playing devils that look like medieval drawings. In other words, it is extremely my jam.

As with most people, I’m sure, money is a bit tight as we head into the holiday season. If you happen to have anything to spare that you’d like to throw into my proverbial hat, this is my periodic reminder of my Ko-fi account, where you can help me pay for monster movies or (as is the more likely case of late) vet bills. Or, you can always buy yourself (or someone on your gift list) a copy of Guignol & Other Sardonic Tales or one of my other books. Every sale helps!

Today is the day after the midterm elections here in the United States, so things are perhaps marginally better than they were yesterday. At least in Kansas we managed to replace Kevin Yoder with Sharice Davids and we got Laura Kelly for governor instead of Chris Kobach, so we could certainly have done worse.

I don’t talk a lot about politics on here, and that isn’t about to change now, but I did talk a little bit about politics on the latest episode of the Missouri Loves Company podcast with Brock Wilbur and Viv Kane (if that is her real name…). Of course, we also talked about fun horror, that video game of The Thing that they made years ago, what Jordan Peele is up to these days, Clive Barker’s Facebook tendencies, Venom greeting cards, why Brock hates art, and lots of other stuff.

One thing I want to mention, in that podcast I say that I try not to think about what’s going on in the world politically when I’m writing. To some extent that’s true, insofar as the day-to-day politics of the United States don’t specifically factor into most of my stories, but what I guess would be considered “my politics” definitely do make their way in, just in broader terms that I would think of more as ethics. The specter of racism hangs over several of my stories, classism plays a big role in tales like “Shadders,” anti-imperialism and anti-war sentiment shows up in “The Blue Light,” etc.

More than any of that, though, I try to write about characters who feel at least a little bit like real people, who deserve dignity from one-another, even when they don’t get it from an indifferent universe. Certainly, as someone who grew up feeling different, I have sympathy for the outsider, the Other, the monster. But I also just try to casually inject diversity into my stories, in a way that lays a groundwork for simple acceptance. I don’t know if I always succeed, but I do try.

There’s no such thing as a story that isn’t political, and I don’t want to get caught in the trap of saying that my stories aren’t. They are, often in ways that even I don’t realize, and I hope that they sometimes reflect what I think is important in the world, even when I’m usually not specifically thinking about what’s going on in the latest headlines as I write.

In other news, another glowing and thoughtful review of Guignol & Other Sardonic Tales recently showed up, this time on Heavy Feather Review: “At the heart of Guignol & Other Sardonic Tales is a monster, and it might just be us. The real question is, are you willing to pay the price to find out?”

 

Another Halloween is behind us. We’ve put out the jack-o-lanterns, taken down the plastic skeletons and rubber bats, and brushed aside the cobwebs. But Halloween isn’t the end of the spooky season, it is the beginning. As the fallen leaves slowly decay and the trees become skeletal hands clawing up at a slate gray sky, we are reminded that the darkest, coldest nights are ghost story weather.

The year that we are leaving behind has been a tough one, both within the forbidding manor of the Grey household and likely for you as well, dear reader. As I’ve said before, I had to more-or-less miss last Halloween due to health reasons, so this year I celebrated hard. I watched a seasonally-appropriate thing every day for the month of October, and several days I watched more than one, clocking in a total of 39 movies, all but one horror-themed. That number would have been slightly higher, but a couple of those days were TV episode marathons rather than movies. I ended the season watching Nightbreed with Jay and Veronica, who had never seen it before.

That’s a tie for second place for the most movies I’ve ever watched in a month. (I am unlikely to ever beat my record, which was 47 movies in the month of October two years ago, when I had my tonsils out.) While I was doing all of that, along with carving pumpkins, seeing friends and family, launching a book, and so on, other things were happening, which I didn’t always report in a timely fashion. Let’s see if we can’t recap:

  • Test Patterns: Creature Features is out from Planet X Publishing, featuring my story “The Pepys Lake Monster” among some exalted company. For those who are unfamiliar with their previous volume, the Test Patterns anthology series is preoccupied with those weird old TV shows that used to dominate the airwaves, like Outer Limits or Night Gallery. As you can probably gather from the title, the theme of this latest installment is, well, Creature Features.
  • My story “Goblins,” which originally appeared as an original tale in the deluxe edition of Never Bet the Devil from Strix Publishing, went live on Pseudopod just in time for Halloween, read by no less a personage than H.P.L. himself, Leeman Kessler!
  • I don’t have a story in it, or, indeed, anything to do with it, but Jonathan Raab’s Camp Ghoul Mountain Part VI: The Official Novelization is now up for pre-order and it is going to be really good, so I think you should buy it.
  • Guignol & Other Sardonic Tales made it onto Barnes & Noble’s list of “15 Harrowing Halloween Books,” so I have obviously hit the big time now, and I’m just gonna sit back and wait for the royalty checks to start rolling in.

Tonight, I’m getting paid to go see the new Suspiria, which feels like a pretty good way to transition from Halloween to November. The world can be hard and scary (not creepy monster scary, either), but sometimes life is pretty good. Whatever you’re doing for yourself today, don’t forget to keep Halloween in your hearts, and stay spooky out there. I’ll be reporting back in soon.

Family Fun Night

 

Launch02Sunday evening we had the official launch party for Guignol & Other Sardonic Tales. It’s the first time I’ve ever done an official launch party for one of my collections and I think it was mostly a success. I introduced a free screening of Mario Bava’s Black Sunday in what turned out to be the AIP cut, and afterward I went out to the Screenland Armour for Analog Sunday, where I caught Deadly Tales and Forever Evil projected onto the big screen from VHS tapes, so that was an experience and a half!

Unfortunately, my weekend festivities seem to have taken a lot out of me, and I’ve been playing catch up for the past few days, and also trying to conserve my strength because I still have the annual Nerdoween Triple Feature to attend this weekend!

In the mean time, however, the launch party means that Guignol is as real and out there in the world as it’s going to get. I still have a few copies, so if you’re local and don’t already have yours and would like to get it direct from me, just drop me a line, especially if we’ll be seeing each other at the movies this month. And if you do already have your copy, don’t forget that you can enter for a chance to win a movie from my collection simply by taking a picture of your copy of Guignol, posting it to social media sometime between now and the end of October with the hashtag #Guignol, and tagging me. Winners will receive a DVD or Blu-ray from my collection, along with a note about why I owned that movie in the first place.

While all that was going on, an interview that I did with Gordon B. White of Hellnotes went live, in which I discuss the secret connection between Katamari Damacy and my creative process. Gordon also posted a positively glowing review of Guignol & Other Sardonic Tales.

Reviews have also started to show up at Goodreads and Amazon, including one that calls Guignol “the perfect October collection,” and another that says, specifically of my story “When a Beast Looks Up at the Stars,” that it is, “Sort of like taking a walk with Ray Bradbury, and winding up at Laird Barron’s house.” If you already finished reading, why not leave a review of your own?

I’ll keep this short, because I’m bushed and still have a lot to do before this weekend is over. Yesterday, after getting up early so I could watch Apostle (more on that later, maybe) I drove out to Manhattan, KS to participate in their Driptorch reading series, where I was joined by a couple of other writers who read really great pieces. I read “When a Beast Looks Up at the Stars,” maybe not the most crowd-pleasing story to choose, but it seemed to have the desired effect. After that, we drove through Silent Hill fog to discuss horror stuff at IHOP, which seems about right.

Today it’s downtime and catching up, and then tomorrow I’ll be hosting a free screening of Black Sunday at the Tapcade here in KC as part of the official book launch party for Guignol & Other Sardonic Tales! The festivities start at 4:30, though I’ll probably be there a little before. If you’re local, or local-ish, feel free to drop in.

If you want a teaser of what you can expect in Guignol, or if you’ve already got your copy and want to read a little about what went into the making of some of the stories, I wrote up a list of fourteen movies that, in one way or another, influenced the fourteen stories in the book for Heavy Feather Review, the sponsors of the aforementioned Driptorch reading series.

Also, if you picked up a copy of Guignol, or if you’re about to, don’t forget that you’ve got until the end of the month to enter to win a movie from my own personal collection. Just post a photo of your copy of the book on social media, tag me, and use the hashtag #Guignol, and you’re entered for a chance to win!

More soon, but for now it’s time to recuperate before tomorrow’s big event!

A lot has happened in the [checks watch] day or so since Guignol & Other Sardonic Tales first officially started to appear in the world where better books are sold or, if you pre-ordered direct from the publisher, in your mailbox. Before I get to anything else, let’s do some quick housekeeping:

First thing’s first: Now that Guignol is available, how about a contest? Just post a photo of your copy of Guignol & Other Sardonic Tales to social media anytime in the month of October with the hashtag #Guignol, tag me, and you’ll be entered for a chance to win a DVD or Blu-ray chosen more-or-less randomly from my own personal collection, along with a note about why I own that movie in the first place, and what, if anything, it has to do with my work. (U.S. only, unfortunately.)

Next up, while Guignol has officially hit streets already, the launch event is still happening in a little over a week. I’ll be at Driptorch in Manhattan, KS on Friday night, October 12 and then hosting a FREE screening of Mario Bava’s Black Sunday at the Tapcade in downtown KC at 4:30 on Sunday afternoon, October 14. I’ll have copies of Guignol (and a few copies of Painted Monsters) at both events!

Now on to the new stuff: Guignol got its second-ever review, so far as I know, from Signal Horizon, calling it “Old-School Horror with a New School Sheen,” and I sat down to talk with Logan Noble about monsters and movies and movie monsters and writing and a bunch of other stuff. (For those who may have missed it, I also talked with Signal Horizon at the Screenland Armour a little before the book came out.) I’ll have more interviews and other stuff coming up as the month progresses…

In the meantime, it hasn’t all been Guignol around these parts. A few months back, I got a pile of screeners in the mail and turned them into a sort of home-brew film festival, which I wrote up for Unwinnable. Part One is here, tackling midnight movies like Twilight People and Bruce’s Deadly Fingers along with more “legitimate” fare like The Ghoul (not the Peter Cushing one or the Boris Karloff one).  Part Two goes even more off the rails, featuring a Mario Bava film, an unusual anthology flick, a morally ambiguous western, and a dark biopic of Jeffrey Dahmer.

A little more on-brand for me, I was also a guest on the Classic Horrors blog for the Countdown to Halloween where I wrote about the 1965 film Dark Intruder. Classic Horrors is the blog of Jeff Owens, who owned the video store where I worked in college, so this was a bit of a homecoming for me. And Dark Intruder, well, it’s something else. You’ll just have to read the post.

That’s about it for now, or it would be if I hadn’t been listening to the commentary track on the new Scream Factory Blu-ray of Someone’s Watching Me! yesterday while I was chopping veggies. The commentary is by Amanda Reyes, author of Are You in the House Alone? a book of TV movies from 1964 through 1999. I was just enjoying listening to her talk about TV movies in general and one of my favorite John Carpenter movies in specific when all of a sudden she quoted my 2011 Strange Horizons article on John Carpenter’s “Apocalypse Trilogy”!!!

Let’s pull that out and sit with it for a minute: I got quoted on the commentary track of a John Carpenter movie!

Not sure my week can get much better than that, but if it would like to try, I’m open to the idea.

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Today is the big day! As you read these words, Guignol & Other Sardonic Tales is shipping from the publisher, making its way to your mailbox, or being deposited onto the shelves of better booksellers everywhere to prey upon the unsuspecting.

Guignol Spines

I’ve had a box of copies sitting on the floor of my office for a few days now, and I’m planning some book launch festivities in the coming weeks. If you happen to be in Manhattan (the one in Kansas, not the one in New York), I will be reading at the Driptorch Creative Performance Series at Arrow Coffee Co. on October 12. And if you’re a Kansas City-area local, the official book launch party will be October 14 at the Tapcade, where I’ll also be hosting a FREE screening of Mario Bava’s gothic classic Black Sunday. I will have copies of the book available at both events.

More about what I’m doing for the rest of the month to come, but for now I wanted to talk a little (more) about Guignol, how it came to pass, and what you can expect to find between its covers. For those who are coming here fresh, Guignol is my third collection of short horror stories of the strange and supernatural, and my second from Ross Lockhart’s Word Horde imprint. From the cover art by Nick Gucker to the stories themselves, I think it makes a particularly good companion piece to my previous Word Horde collection, Painted Monsters & Other Strange Beasts.

Guignol is slightly longer than my previous collections, and contains fourteen of my grimmest and darkest tales to date, though hopefully these “cruel stories” aren’t without their fun, too. It’s also probably got more monsters-per-page than anything else I’ve ever written, so there’s always that.

Of the fourteen weird stories in Guignol, four are appearing in print for the first time, while several others are out-of-print or difficult to find. The full table-of-contents is as follows:

Dream House
The Lesser Keys
Guignol
Shadders
The Blue Light
A Circle That Ever Returneth In
Programmed to Receive
The Well and the Wheel
Haruspicate or Scry
Dark and Deep
Invaders of Gla’aki
Baron von Werewolf Presents: Frankenstein Against the Phantom Planet
The Cult of Headless Men
When a Beast Looks Up at the Stars

Of course, all fourteen tales are accompanied by my usual author’s notes, plus the book features an introduction by none other than Gemma Files! All in all, I’m extremely happy with how Guignol has come together, and extremely grateful to Ross Lockhart for once again having me as a member of the Horde, and I can’t wait for it to make its way out into the world.

Guignol has already been reviewed at Publisher’s Weekly and Signal Horizon with more to come, and I’m sure I’ll have more to say on this and other suitably spooky topics throughout the month of October, but for now, happy book birthday to Guignol & Other Sardonic Tales, and if you didn’t already pre-order your copy, you can buy it direct from the publisher right here!