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It’s been a few weeks, but as you probably already know, February has been keeping us busy around here. Fortunately, we’ve had no more organ-related disasters for a few days, Grace has been recovering quickly and should go back to work next week, and I’ve gotten a bit of good news to help offset the bad. For starters, I’ll be a guest at the second annual Outer Dark Symposium on the Greater Weird, which will be held at the freaking Winchester Mystery House on March 24! There’s an IndieGoGo live right now where you can get tickets, pick up cool books, and what-have-you!

Astute readers will recall that I was a guest at last year’s Symposium, as well, and it was a hell of a good time. This one promises to be even better, and I have it on good authority that I’m already the person earmarked to go missing on the tour of the Winchester Mystery House, so everything is coming up Milhouse.

That’s the good news. Here’s the better news: Ellen Datlow selected my story “The Granfalloon” for volume ten of her Best Horror of the Year anthology series! This marks my second time appearing one of Ellen’s Best Horror anthos, and I could not be prouder! (“Persistence of Vision” appeared in volume seven back in 2015.)

I’m particularly happy that “The Granfalloon” was selected, as it’s a story that I tinkered with for literally years before finally finding the right set of pieces to make it work. The story previously appeared in Darker Companions, a Ramsey Campbell tribute anthology from PS Publishing, edited by Scott David Aniolowski and Joe Pulver. I’m extremely grateful to Scott and Joe for giving my story a home in the first place, and to Ellen for selecting it for the Best Horror of the Year. You can bet that you’ll hear more about that as it gets closer to publication. For now, I’ll leave you with a peek at the cover, with art by Chenthooran Nambiarooran:

Best Horror

 

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Yeah, yeah, yeah, we’ve still got, like, a week left, but it’s highly unlikely that I’m going to publish anything more in those few days, so let’s go ahead and get this dumpster fire of a year behind us, shall we? (Remember when we all thought that 2016 was kind of the epitome of a bad year? We were so adorable.)

Given the way the last few months of this year, especially, have gone, with various health crises and escalating stress, it’s easy to forget that I accomplished much of anything at all during the rest of it, but I actually published a few stories and, hard as it is to believe, two books in 2017! And by “a few” I mean roughly five new stories of mine came out in 2017, six if you count the one new story in the deluxe hardcover edition of Never Bet the Devil. I had stories in The Children of Gla’akiFor Mortal Things UnsungTerror in 16-BitsTales from a Talking Board, and Darker Companions. (For those keeping score at home, that’s actually two Ramsey Campbell tribute anthologies, and not a single overtly Lovecraft-themed one. Maybe a record?)

On top of that, 2017 saw the release of my first novel, in a manner that I would never have expected in a million years. Godless, the first volume in a proposed series chronicling the adventures of Tristan, nicest of all the Protectorate of Menoth warcasters, was released by Privateer Press back in April. I didn’t realize it at the time, but I also got the distinction of being the first writer to permanently kill off a major in-game character, so that was pretty cool. The book was written in something of a rush to meet my deadlines, but it seems to have been received fairly well. I dedicated it to Ray Harryhausen, and earlier this month I got to visit an exhibit of Ray Harryhausen models, storyboards, concept art, and other ephemera in Oklahoma City, which was a rare pleasure indeed.

In non-licensed work, 2017 also saw the re-release of my first collection, Never Bet the Devil & Other Warnings, in a fancy deluxe hardcover edition courtesy of Strix Publishing. The (jaw-dropping) cover design and pitch-perfect interior illustrations are all the work of Mike Corley, one of my favorite artists in the business and pretty much my first and only choice to work on this book. Besides adding new illustrations by Mike, I wanted to make sure that the deluxe edition had some added value for those who had already purchased the (now out of print) paperback original, so we also included two additional stories that weren’t in the first release. One of them, “Goblins,” was entirely original to the collection, while the other, “A Night for Mothing,” is a difficult-to-find rarity that was originally published in The Mothman Files all the way back in 2011.

Besides heading out to the Ray Harryhausen exhibit in early December, I managed to make a handful of convention appearances throughout the year, despite my wretched health. I attended Panic Fest here in Kansas City back in January for the first time as a civilian (previous years I had helped out with booths and other odds-and-ends), something I plan to do again this year. I was a guest of the Outer Dark Symposium on the Greater Weird in Atlanta back in March and at the H.P. Lovecraft Film Festival in Portland in October, where we actually launched Never Bet the Devil & Other Warning. I’m told that no less a personage than Barbara Steele stopped by the booth to inquire about the book, but at the time I was out getting a burrito, which is probably just as well, so that I couldn’t pitch it to her by explaining that, “I think it’s got ghosts and stuff.”

In-between all of those, I also made a trip up to Minneapolis to see the Guillermo del Toro exhibit At Home with Monsters, and a trip to the Boulder area of Colorado, mostly to accompany Grace to a low flutes retreat, though I also used the opportunity to meet up with some writing acquaintances and do a bit of writing myself, including penning a story that I’m pretty proud of which is part of a lengthier story cycle that I mostly finished during the course of this year, though none of the new additions to it have seen print just yet.

Lots more stuff happened in 2017. I watched a lot of movies, read a few books, was sick a lot, had an emergency surgery, spent my birthday recovering from that, and did a whole host of the other usual stuff that you do in a year, even one where everything is on fire. I’ll have most posts about the movies I watched in 2017, as well as a Year in Creatures, most likely, but those will have to wait until the year is actually over. For now, that’s most of what I accomplished as far as writing and publishing go, and that’s what we’re here for.

For a little while now, I’ve been running a Patreon on the side. At its best, I made close to $100 per month, though I let it languish as I slipped into illness over the last year, and before I closed it out I was making around $40. Both ends of that spectrum were fine by me. I never counted on it as a replacement for income or as an integral part of my business model, though I know many who did, and do, in both cases, and I wish them all the best. However, recently I have made the decision to shut my Patreon down.

For all that I just said I didn’t rely on my Patreon income, I am nevertheless incredibly grateful for my Patreon backers. They stood by me, even when I was producing next to no exclusive content, and that added jolt of a few hundred bucks every now and again was often a lifesaver, especially during lean times. Even if it hadn’t been, I appreciated the relationship that I had with my patrons. That appreciation is part of why I’m choosing to shutter my Patreon account.

Recently, Patreon announced a new fee structure rollout that would put the onus of fees not on creators but on patrons, in ways that I (and many others) found unconscionable. Now, to say that this fee change proved unpopular would be a massive understatement. It proved calamitous, as anyone could have predicted, had Patreon bothered to ask. And in short order Patreon issued a statement backpedaling and saying that they would not be rolling out the new fee structure after all.

By then, however, plenty of damage had already been done. I had already said that I would be shutting the doors, other creators, who relied much more heavily on Patreon as a part of their business model, had lost vital income, and Patreon had alienated much of their customer base, both on the creator side and the patron side.

In general, I’m a big fan of giving people a second chance when they mess up. But Patreon isn’t a person, it’s a company, and I feel like, in spite of their “change of heart,” their initial move to roll out the fee structure change in the first place shows that I can’t trust them the way I want to, and I no longer feel comfortable having my hat in their particular ring. I’ll be looking for some other way to interact with people who want to give me a few bucks now and again so that I can keep writing weird stories.

If you’re one of my Patreon patrons, keep an eye on this space. If you’re not, well, you probably keep an eye on this space already, if you’re reading this, so thanks for hanging around.

I know plenty of creators who are still using Patreon, and I’m happy for them, and grateful that Patreon saw the error of its ways, if too late for my comfort. This is a personal decision on my part, not some kind of moral stance. I still support all the creators who are using Patreon to help create their projects. I just won’t be one of them anymore.

Never Bet the Devil CoverAs you have no doubt gathered by now, the brand-new deluxe edition of Never Bet the Devil & Other Warnings from Strix Publishing is a real, physical object that has actually happened and is currently sitting on my shelf. What you may not yet know is that it can also be sitting on your shelf, even if you missed out on the Kickstarter and/or didn’t see us at the H.P. Lovecraft Film Festival. Through the magic of something called “the internet,” you can now order your very own copy of Never Bet the Devil & Other Warnings, featuring two (2) new stories not published in the previous edition, all new illustrations and header images for every story by the phenomenal M.S. Corley (who is also responsible for that amazing cover), and a new (and very kind) introduction by Nathan Ballingrud!

(And hey, if you’re going to pick up a copy, now’s the time to do it, because you can get it at 15% off thanks to Strix’s Halloween sale!)

Speaking of Halloween, I recently wrote up a recommendation list of five vintage vampiric movies for you to watch on Halloween, which you can read over at Innsmouth Free Press? Why would I do that, you ask? The better question might be, Why wouldn’t I? But in this case it’s actually all part of an elaborate scheme meant to help promote Monsters from the Vault, my collection of essays on vintage horror cinema, collected from across more than five years of writing columns for Innsmouth Free Press. Why vampires, though? Well, that just kind of happened. But you’re certainly not limited to vampires. Pick up a copy of the book and you can find plenty of mad scientists, alien invaders, werewolves, mummies, murderers, unusually large insects and rodents, blobs, apes, skeletons, cults, and just about anything else you might want for your seasonal viewing pleasure.

The list also serves double duty by making me feel a little less bad about not being a very good contributor to the Countdown to Halloween. This October has been a little rough. It got off to a good start with the HPLFF, but there have been a variety of other setbacks that have kept me from celebrating the season with the same vigor that I might have on previous occasions. Fortunately, I have at least gotten Halloween decorations up, and tomorrow night I’m heading out to the Tapcade for a horror anthology triple feature courtesy of the Nerds of Nostalgia. I attended the first of these “Nerdoween” triple-features a couple of years ago, and they’ve since become an annual tradition. Thanks to them, I’ve discovered both Demons and Night of the Demons and, to a somewhat lesser extent, both 28 Weeks Later and Texas Chainsaw Massacre 2. Since this year’s entertainment is anthology film-themed, the odds of me not having already seen all of them decrease sharply, but we’ll see what they can dig up!

NBtD_FancyThe hours are condensing down into minutes and ticking away until I will be on a plane and headed for Portland and the H.P. Lovecraft Film Festival. This will be my third or fourth year as a guest, not quite consecutively, at what has rapidly become my favorite convention. To make the whole thing sweeter, we’ll be celebrating the launch of the new deluxe edition of Never Bet the Devil & Other Warnings from Strix Publishing. Copies arrived at the Strix Publishing offices yesterday. I have now seen photographic evidence that the book is a real thing and have been assured that it will be present at the Festival!

I’ll be participating in the mass author signing, and also hanging around the Strix Publishing booth in the upper theatre lobby to sign books probably sometime on Saturday afternoon. The rest of the time I’ll be watching movies, jawing with people, or participating in panels and readings. I believe I’m on two panels, one dealing with foreign horror films so that I can annoy all the other panelists by jabbering about Matango and Noroi, and one on fungi (where I can also talk about Matango)!

Unfortunately, I’m not feeling as much better as I had hoped to by now, but unless I take a massive turn for the worse in the next day or so, I’m better enough to head to the Festival. If you see me and I’m looking paler or more uncomfortable than usual, apologies in advance. I’m not contagious or anything, just stuck with a bunch of lingering symptoms that seem to have no intention of vacating the premises in a timely fashion.

In spite of my slow decay, I am extremely excited about the Festival, and especially can’t wait to see the world premiere of Phil Gelatt’s They Remain. For those who are coming out to the HPLFF, definitely track me down and say hi! I’m on the schedule, so I shouldn’t be too hard to find. And for those who won’t make it out, I’ll be posting to social media from the proverbial road, but you probably won’t hear from me on this here blog until I get back, so I’ll see you then!

 

This hasn’t been a big year for conventions for me. While I attended the Outer Dark Symposium on the Greater Weird in Atlanta, I missed NecronomiCon by a hair, which means that I have to wait two more years for another chance to go rub shoulders with all the east coast weirdos. However, I will be attending the 22nd annual H.P. Lovecraft Film Festival in Portland the first full weekend in October.

What’s more, not only will I once again be attending as a guest, I’ll also be contributing to the round-robin Challenge from Beyond, which you can pick up as an add-on to your pledge to the HPLFF Kickstarter which, wouldn’t you know it, is happening now!

So why am I extra-excited about this particular HPLFF, besides that it’s still my favorite convention, I get to see a bunch of old friends and meet Phil Gelatt in person finally? Because the brand new, deluxe edition of Never Bet the Devil & Other Warnings from Strix Publishing will also be launching at the HPLFF this year! I recently saw photographic evidence of the proofs, which have arrived at the Strix Publishing offices, and the book should be ready by the time the festival rolls around. If you can’t make it to the fest and didn’t Kickstart the book, no worries, you can still pre-order a copy right here and they should ship around early October, if all goes according to plan!

I’m sure I’ll have more to say about the HPLFF as it draws nearer, but for now, I’ll see you there, if you’re going!

NBtD_Proof

Been busy with this and that, but felt the need to drop in with the news of a couple of recent story sales for those who may have missed the announcements on social media. What do these sales have in common? Both books have really freaking cool covers, for starters!

Terror in 16-BitsFirst off, my brand new 10,000-word novelette “The Drunkard’s Dream” will be showing up behind a pitch-perfect Splatterhouse tribute cover by Peter Lazarski, creator of Halloween Forever, in Terror in 16-Bits from Muzzleland Press and edited by Jonathan Raab. My story is inspired partly by Ghosts N Goblins-alikes, partly by the various coin-operated dioramas from which it takes its name, and heavily from extrapolated autobiographical experiences, albeit not the ones you might expect from the title. Terror in 16-Bits will be making its debut this August at NecronomiCon, and will be for sale to the public soon after.

Meanwhile, my story “Haruspicate or Scry” will be in Ross E. Lockhart’s Tales from a Talking Board, stories of auguries, divination, and fortune telling coming this October from Word Horde. (Also, it’s available for pre-order right now!) Its cover (by the great Yves Tourigny) has the distinction of being an actual working talking board, and I have it on good authority that orders placed direct from Word Horde may come with their very own planchette bookmarks!

As for my story, it involves heavy doses of Scrabble, the skeptical legacy of old-fashioned stage magicians, T.S. Eliot, and more than a dash of Rosemary’s Baby. Also, some autobiographical stuff, because I guess that’s just how I roll these days.

Tales from a Talking Board