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Today is the big day! As you read these words, Guignol & Other Sardonic Tales is shipping from the publisher, making its way to your mailbox, or being deposited onto the shelves of better booksellers everywhere to prey upon the unsuspecting.

Guignol Spines

I’ve had a box of copies sitting on the floor of my office for a few days now, and I’m planning some book launch festivities in the coming weeks. If you happen to be in Manhattan (the one in Kansas, not the one in New York), I will be reading at the Driptorch Creative Performance Series at Arrow Coffee Co. on October 12. And if you’re a Kansas City-area local, the official book launch party will be October 14 at the Tapcade, where I’ll also be hosting a FREE screening of Mario Bava’s gothic classic Black Sunday. I will have copies of the book available at both events.

More about what I’m doing for the rest of the month to come, but for now I wanted to talk a little (more) about Guignol, how it came to pass, and what you can expect to find between its covers. For those who are coming here fresh, Guignol is my third collection of short horror stories of the strange and supernatural, and my second from Ross Lockhart’s Word Horde imprint. From the cover art by Nick Gucker to the stories themselves, I think it makes a particularly good companion piece to my previous Word Horde collection, Painted Monsters & Other Strange Beasts.

Guignol is slightly longer than my previous collections, and contains fourteen of my grimmest and darkest tales to date, though hopefully these “cruel stories” aren’t without their fun, too. It’s also probably got more monsters-per-page than anything else I’ve ever written, so there’s always that.

Of the fourteen weird stories in Guignol, four are appearing in print for the first time, while several others are out-of-print or difficult to find. The full table-of-contents is as follows:

Dream House
The Lesser Keys
Guignol
Shadders
The Blue Light
A Circle That Ever Returneth In
Programmed to Receive
The Well and the Wheel
Haruspicate or Scry
Dark and Deep
Invaders of Gla’aki
Baron von Werewolf Presents: Frankenstein Against the Phantom Planet
The Cult of Headless Men
When a Beast Looks Up at the Stars

Of course, all fourteen tales are accompanied by my usual author’s notes, plus the book features an introduction by none other than Gemma Files! All in all, I’m extremely happy with how Guignol has come together, and extremely grateful to Ross Lockhart for once again having me as a member of the Horde, and I can’t wait for it to make its way out into the world.

Guignol has already been reviewed at Publisher’s Weekly and Signal Horizon with more to come, and I’m sure I’ll have more to say on this and other suitably spooky topics throughout the month of October, but for now, happy book birthday to Guignol & Other Sardonic Tales, and if you didn’t already pre-order your copy, you can buy it direct from the publisher right here!

So, of course, the big news is that my latest collection, Guignol & Other Sardonic Tales is less than a month away! It’s currently available for pre-order from Word Horde, not to mention on all your favorite electronic devices! I’ll be talking a lot more about it as we get closer to release, but in the mean time, other things continue to happen, too…

My story “No Exit” appeared in Lost Highways: Dark Fictions from the Road from Crystal Lake Publishing not too long ago. “No Exit” is another in my very loose story-cycle of tales that take place in the same world–or, perhaps more accurately, the same version of this world–along with “Hollow Earths” in Chthonic: Weird Tales of Inner Earth from Martian Migraine Press and a few others that haven’t actually seen print yet and some that have before I knew that I was writing a story cycle. More on that as it develops.

Speaking of stories, I have a very short one called “Masks” in the latest issue of Forbidden Futures, a magazine inspired by (and featuring) the art of Mike Dubisch. “Masks” tells the tale of what waits in the cluttered townhouse of an old makeup artist who has passed on, but left a few things behind.

Aside from writing stories, I spend most of my time on various freelance content jobs. Not too long ago, one of my freelance clients put me on retainer to write original mysteries for a sort of monthly murder mystery box called The Murder Chronicles. The contents will include “found documents” like newspaper articles, journal entries, notes, photographs, and more, all painting the story of a new mystery every month in the fictional Kansas town of Baker City. So far I’ve written a few months worth, and the first one should be shipping as I write this!

Murder Chronicles

Because they’re work-for-hire you won’t find my name on them anywhere, and because they’re written to order, the results are much more your typical “cozy mystery” than the weird horror stuff that you’re used to from me. But if a monthly murder mystery sounds like your cup of poison, it would probably help keep me gainfully employed if you were to subscribe and see how you like it.

A few months ago I was also a guest on the Lit KC podcast with my friend and former co-worker Jason Preu. The episode went live today as the show’s season finale, and in spite of the fact that I recorded it in the midst of the various stresses that have been my last year or so, I actually seem relatively coherent throughout, though my facts about Guignol & Other Sardonic Tales are necessarily somewhat dated. For one thing, it is actually going to have no less than four (4) original stories, though it’s still only 14 stories long. (Ah, the mysteries of publishing!)

That’s about it for now, but the Halloween season has officially begun, with stores starting to stock suitably spooky doodads, so there’ll be lots of seasonal content coming from me, not to mention lots more about Guignol in the coming days and weeks. Stay tuned!

 

The day night has finally arrived, dark and stormy, as is only appropriate. A skeletal usher shows you the way into a moldering old movie palace, the seats hard and smelling of dust and old libraries. Above, in the darkness, something stirs, and you hear the rustling of a thousand leathery wings.

gost-cov300In front of you there is only a faded rectangle of light, the silver screen, waiting to show you its dreams and nightmares. You turn just a bit in your seat, trying not to draw attention to yourself, hoping to make out the faces of the other theatregoers, but you can see only blotchy shapes in the waiting dark behind you. Then your eyes are drawn back to the screen as the projector rattles to life. Up there are letters nine feet tall, written in crawling, shivering font that is now black, now purple, now red.

What do the letters say?

They say that Guignol & Other Sardonic Tales, my latest collection of weird stories, is now up for pre-order from the fine and fiendish folks at Word Horde! Fourteen tales of terror and torment and, yes, more than a few monsters, all specially prepared with author’s notes and an introduction by Gemma Files, all for your delectation, nestled within a cover by Nick Gucker. What’s more, four of those tales have never seen print before, while several others are little-read or hard-to-find, including my out-of-print novelette The Cult of Headless Men.

Alongside those new tales are stories that previously appeared in Autumn CthulhuChildren of Gla’akiEternal FrankensteinGothic Lovecraft, and more! There are stories of ghosts and wizards, demonology and dark deeds done in the dead of night, stop-motion monsters and the lost episodes of old television shows, hidden passages in old houses and unusual methods of communicating with the dead. There are stories that take place in far-off and imaginary lands, on phantom planets and in times gone by, and there are stories as close as your own back yard.

I’ll be talking more about Guignol as it gets closer to publication, but in the meantime, if you really want to see what’s going to happen next on that sleeping silver screen, you’ll just have to buy your ticket and take your chances

 

So, as astute readers may already be aware, I used to have a Patreon. For various reasons, I shut it down. Notably, I didn’t agree with some changes Patreon made to their funding model. They have since walked those changes back, but they weren’t the only reason I made the decision I did, and so that ship has sailed.

However, some people have expressed a desire to still be able to give me money, and far be it from me to argue. So I recently set up a Ko-fi account for just that purpose.  Now you can give me $3 anytime you feel so inclined.

And if you do happen to feel so inclined, now would honestly be a great time, because between medical bills from all of our recent health-related mishaps and the time Grace has had to spend off work due to same (I freelance, so I’m never off work, though I won’t lie and say that health stuff hasn’t impacted my productivity overall), our fiscal situation has certainly been better at other times than it is right this minute.

We’re not in bad shape, so if you can’t throw $3 into the digital hat, don’t worry about it. We’ll be fine for now, and once these particular health issues all pass, we’ll be back in the black in short enough order, I’m sure. But even then, if anyone ever feels like throwing some cash into the ring, it helps me to produce the kinds of projects that are a little more fun and a little less guaranteed a paying home. Stuff like writing about Toho’s “Bloodthirsty Trilogy” for Unwinnable, or a proposed essay about the Gothic elements of the 2005 version of House of Wax, for example.

(Speaking of that kind of writing, I recently learned that a very old essay of mine on Carpenter’s “Apocalypse Trilogy” was actually quoted in the book on In the Mouth of Madness by Michael Blythe from the Devil’s Advocates series!)

It also helps me to focus more on my fiction. Freelancing pays the bills faster and more reliably than any other writing, which means that Ko-fi money helps to give me breathing room to work on projects that don’t have as immediate a return.

I’ve dropped a Ko-fi button into the sidebar of my site here, and you can throw three dollars into the jar by clicking on that or on this link right here. If you ever feel like it, it’s much appreciated, and if you would rather support me in a way that gets you something more concrete in return, you can always do so by buying any of my books, which is even more appreciated!

As I write this, it’s still Friday the 13th for a few more hours, but I haven’t watched a Jason movie yet. May not, at this rate, more’s the pity. Still, it’s been a good, busy day. Grace accepted a new position at her job today, as a QA Auditor instead of a QC Supervisor. It’s a move that’s been in the works for a while, and one that we’re both really happy about. It also means that she should be able to work from home a little more over the next few weeks, until she’s back on her feet and able to go back to work.

GuignolYesterday, I turned in the page proofs for my third collection, coming later this year from Word Horde. It’s going to be called Guignol & Other Sardonic Tales, and it’s a little rougher than my previous collections. Not as far as story quality or presentation–hopefully that’s all still pretty polished–but as far as the tone and tenor of the stories. Don’t worry, I think I’m still writing fun horror, but some of these come from–and go to–a darker, harder place than I’ve gone before. I think there may also be more monsters-per-page in this book than in any of my others, so that’s something to look forward to.

It was good timing, because today the Publishers Weekly review of Guignol & Other Sardonic Tales went live. They called it “a veritable smorgasbord of horrific thrills and chills” and “a must-read for hardcore fans of horror,” so it could be a whole lot worse. I’ll have more info about Guignol as the release date gets closer, and we should have a pre-order link coming hopefully very soon.

If you absolutely can’t wait, there’s also a flash sale going on right now at Strix Publishing where you can get Never Bet the Devil & Other Warnings for 15% off!

Grace’s broken leg, page proofs, and freelance work have been keeping me pretty busy of late, but I have managed the time to knock out a couple of other projects, including writing about Toho’s “Bloodthirsty Trilogy” of Dracula movies for Unwinnable. I think that’s it for this Friday the 13th. Maybe I’ll watch that Jason movie after all…

TheDark37-220x340The latest issue of The Dark magazine just went live the other day, and with it, my story “The Hurrah (aka Corpse Scene).” That may not sound much like one of my titles, but it’s definitely one of my stories, and one that I’m pretty proud of. Over on Facebook, Scott Nicolay said, “I don’t know another author who can make a story about a slasher film as simply and elegantly…poignant…as Orrin Grey does here.” While the first review of the new issue at SFRevu called it a “Good story which just comes together perfectly.”

It’s also the first time one of my new stories was available to read online in a long time. The story follows the daughter of an actress who made her debut–and, unfortunately, also her swan song–in a low-budget slasher flick. Think the 2015 film The Final Girls, but veering off in a very different direction.

When I was a younger horror movie nerd, I didn’t think I liked slasher movies much. It took the insights of friends and colleagues like Adam Cesare, Trevor Henderson, and Stephen Graham Jones for me to get to the place where I am today, where I could even write a story like “The Hurrah (aka Corpse Scene).”

This isn’t the only story I’ve got coming out that deals with movies and, specifically, the act of watching them. My “haunted” movie theatre story “The Granfalloon” is being reprinted in Ellen Datlow’s Best Horror of the Year Volume 10 later this month! (You can preorder it right now!) “The Granfalloon” first appeared in Darker Companions late last year, and I couldn’t be more thrilled to see it showing back up in the TOC of The Best Horror of the Year!

It’s been a few weeks, but as you probably already know, February has been keeping us busy around here. Fortunately, we’ve had no more organ-related disasters for a few days, Grace has been recovering quickly and should go back to work next week, and I’ve gotten a bit of good news to help offset the bad. For starters, I’ll be a guest at the second annual Outer Dark Symposium on the Greater Weird, which will be held at the freaking Winchester Mystery House on March 24! There’s an IndieGoGo live right now where you can get tickets, pick up cool books, and what-have-you!

Astute readers will recall that I was a guest at last year’s Symposium, as well, and it was a hell of a good time. This one promises to be even better, and I have it on good authority that I’m already the person earmarked to go missing on the tour of the Winchester Mystery House, so everything is coming up Milhouse.

That’s the good news. Here’s the better news: Ellen Datlow selected my story “The Granfalloon” for volume ten of her Best Horror of the Year anthology series! This marks my second time appearing one of Ellen’s Best Horror anthos, and I could not be prouder! (“Persistence of Vision” appeared in volume seven back in 2015.)

I’m particularly happy that “The Granfalloon” was selected, as it’s a story that I tinkered with for literally years before finally finding the right set of pieces to make it work. The story previously appeared in Darker Companions, a Ramsey Campbell tribute anthology from PS Publishing, edited by Scott David Aniolowski and Joe Pulver. I’m extremely grateful to Scott and Joe for giving my story a home in the first place, and to Ellen for selecting it for the Best Horror of the Year. You can bet that you’ll hear more about that as it gets closer to publication. For now, I’ll leave you with a peek at the cover, with art by Chenthooran Nambiarooran:

Best Horror