Shout at the Devil
Living in the slow-motion apocalypse may make it a little harder than usual to get into the Halloween spirit, but even COVID-19 can’t completely eradicate the Nerdoween triple-feature, hosted each year by the fine fellows from the Nerds of Nostalgia and Nightmare Junkhead podcasts.
Now in its sixth year, Nerdoween has become as much a part of my seasonal traditions as grinning pumpkins or spooky movies. Indeed, it always shows a few spooky movies, and I’ve gone every year.
And every year – with one exception – I have always been introduced to at least one picture that I had never seen before. The first year’s theme was “demons,” and I saw both the Lamberto Bava film of that name and also Night of the Demons for the first time.
The theme of the second year was “sequels,” where I saw both 28 Weeks Later and Texas Chainsaw Massacre 2 fresh. The third year was anthologies and managed only a single new-to-me film in the form of the very great Tales from the Hood (the other two were both favorites, however – Creepshow and Waxwork).
They followed that up with “sleazy sci-fi,” where they again managed only a single new-to-me flick, in that case the absolutely wild Xtro.
Last year’s theme was “killer nouns,” and it was the first year where I had seen every movie on the lineup: Maximum Overdrive, Cooties, and Arachnophobia. Which brings us to this year and Nerdoween 6(66) – the triple feature that almost didn’t happen because the world was coming to an end.
Suitably enough, the theme of this year’s triple-feature was the figure who could have been the architect of 2020 himself; none other than the dark lord Satan. And the guys at Nightmare Junkhead nearly managed a hat trick, going two-for-two with movies I had never seen before with our first two features.
We started with The Car, from 1977. Prior to last night, I was (somehow) unaware that the eponymous evil car in this film is overtly demonic, even if they never make even the slightest pretense of explaining its presence in the film.
I was also unaware that, in addition to James Brolin, The Car also stars Ronny Cox, of cops both Robo and Beverly Hills fame.
Then they followed that up with Evilspeak from 1981. If The Car was Duel by way of Jaws by way of The Exorcist then Evilspeak is Carrie + Satanic panic + computers.
A good example of the “movies from the ’80s that go completely bonkers in the last act” subgenre, as near as I can tell the director of Evilspeak had two main interests: People getting eaten by pigs and making Clint Howard sweaty and/or otherwise damp.
In his defense, people getting eaten by pigs is scary and so is damp Clint Howard. This was also an inadvertent (?) double-feature of movies featuring R. G. Armsrong. If the third film of the night had been Warlock: The Armageddon they could have been three-for-three.
Alas (?) it was not, nor was it something I hadn’t ever seen before – and really, a triple-feature of things I hadn’t seen before seems like an awful lot to ask. Instead, it was recent subgenre entry Ready or Not, part of the mini boom of “rich people are literal Satanists, actually” movies of the last few years.
I saw Ready or Not when it first came out and liked it then. I still like it, for most of the same reasons. Underneath its many very modern sensibilities, it has lots of delightfully old-fashioned deal-with-the-devil stuff going on that I adore.
Getting into the Halloween spirit may be harder than normal this year, but three Satanic shockers from the Nerds of Nostalgia guys always makes it a little easier…