Archive

appearances

Tomorrow night, I leave for Atlanta to attend the Outer Dark Symposium on the Greater Weird, which is being held in the belly of a real-life monster lab, aka Silver Scream FX Lab. As I write this, there’s still a few hours left to get in on the IndieGoGo, with plenty of cool swag up for grabs. (I’ve got an essay in appreciation of Mike Mignola–along with some art by Mike himself–in the program book!)

Us-Movie-Director-Cast-Interviews-Sxsw

Because I’m gonna be otherwise occupied over the next few days, I managed to sneak into a preview screening of Jordan Peele’s latest last night, and I wrote up my (as spoiler-free as possible while still actually talking about the movie at all) impressions for Signal Horizon. It’s a movie I’m looking forward to talking about a lot more once other people have seen it.

I figured, since I’m headed out of town anyway, and I just posted a new film review for an actual new film, rather than something stumbling onto Blu-ray from the ’90s or the ’70s, it was probably a good time to talk about my film writing a bit. (There’s also the little fact that Revenge of Monsters from the Vault is currently up for pre-order.)

For various behind-the-scenes reasons, I’ve been doing a lot more film writing lately, and posting it places other than here, mostly Signal Horizon and Unwinnable. I think, in doing so, I’m also carving out, bit by bit, my own identity as a film writer, whatever that actually means.

I’m especially proud of the writing I recently did for Unwinnable about Audition, an incredible film that I hadn’t seen in almost twenty years. But I also wrote about kickboxing cyborg movies in general and Albert Pyun’s Nemesis in particular, and about the 1994 Double Dragon movie–which, I didn’t know until I was writing about it, was only the second live-action video game adaptation ever made. Which maybe explains some things?

I haven’t had as many things pop up at Signal Horizon lately, though you can go back and read my reviews of stuff like Bloody Birthday and Fulci’s Zombie. More recently, I wrote about the new Arrow Blu of Horror Express, a film that I also covered in the first volume of Monsters from the Vault. (Which, it bears repeating, you can get if you pre-order its sequel here.)

There’s lots more like that on the way, but that ought to keep you all occupied while I’m out of town. If you’re coming to the Outer Dark Symposium, I’ll see you there, and if we haven’t already met, come up and say hi. And if anyone wants to bring me any Hellboy Day swag, I’ll be tied up with Symposium stuff all day on Saturday, so it would be much appreciated!

52917318_10215725451503426_1097449420703662080_nIt’s been a few days since this got announced on social media, so lots of people have probably seen it already, but I’ve been busy so it hasn’t made its way onto my blog until just now, but: My story “No Exit” made it into Ellen Datlow’s Best Horror of the Year Volume 11!!

This is my third time in Ellen’s Best Horror series, which is an honor that I, honestly, never thought I would manage even once, and I could not be more thrilled to be sharing a table of contents with so many fantastic writers.

“No Exit” originally appeared in Lost Highways from Crystal Lake Publishing, edited by D. Alexander Ward, and is part of my as-yet-unnamed “Hollow Earth cycle” of linked short stories. But don’t worry, you don’t need to have read any of the others to understand what’s going on in “No Exit.”

If you want to read some of the other stories, however, other tales in the cycle are currently available in Chthonic from Martian Migraine Press, Cthlhu Fhtagn! from Word Horde, and For Mortal Things Unsung from Pseudopod, with others coming soon.

Speaking of For Mortal Things Unsung, which is currently the only place you can read my story “New and Strangely Bodied,” it’s available to anyone who pledges $20 or more to the IndieGoGo for The Outer Dark Symposium on the Greater Weird.

I’ll be at the Symposium near the end of March (on Hellboy Day, in fact) in Atlanta, Georgia, where we’ll be talking about all things Weird. If you’re thinking of attending or backing the IndieGoGo, you can get lots of cool stuff, including several of my books (signed, of course) not to mention a signed photo of Linnea Quigley with a chainsaw.

There’s another big announcement that will be coming in the next few days, but if you follow me on Facebook, or are an astute reader of interviews, you may have seen some mention of it already…

Panic Fest is in the rear view and everything else is up ahead, so it’s been a week or so of catching up around here. There’s been a lot to catch up to, as well, as a lot has been going on kind of while I wasn’t looking.

For starters, Guignol & Other Sardonic Tales received a very generous review from Christine Morgan over at The Horror Fiction Review, which refers to my “consistently excellent quality and skill,” so of course I appreciate that. I also learned that my story “The Granfalloon,” which originally appeared in Darker Companions before being reprinted in Ellen Datlow’s Best Horror of the Year Volume 10, is being taught in an Advanced Creative Writing workshop that’s being offered by Richard Thomas!

Speaking of stories doing well for me, my story “The Hurrah (aka Corpse Scene)” made the Locus Recommended Reading List. I think this may be my first time on the list, and right now you can vote for my story (along with stories and books by lots of other authors) right here. (You don’t have to have a subscriber number, just a name and email address.)

I was interviewed by author Gwendolyn Kiste (whose novella Pretty Marys All in a Row I really enjoyed) at her website, and I was able to sneak in the first official mention, I think, of my next book-length project, which is a sequel to Monsters from the Vault called (of course) Revenge of Monsters from the Vault. It should be out later this year, covering 60 more classic (and not-so-classic) horror and monster movies from the silents to the ’70s including devil bats, ape fiends, space invaders, old dark houses, haunted stranglers, invisible dinosaurs, and a whole lot more!

(On the subject of my film writing, I also unwittingly discovered that I am cited extensively in the Wikipedia entry for John Carpenter’s The Thing. This thing I wrote eight years ago is getting me a lot of traction lately. It was also mentioned in the commentary track for the Scream Factory Blu of Someone’s Watching Me! and quoted in the Devil’s Advocate volume for In the Mouth of Madness.)

Most recently, the full table of contents was announced for Pluto in Furs, an anthology forthcoming from Plutonian Press, which will feature my story “Stygian Chambers” alongside tales by Gemma Files, Jeffrey Thomas, Adam Golaski, Richard Gavin, and many more.

That’s what’s been going on in the last few days, and there’s more on the way. I have other story sales that I can’t announce just yet, not to mention my appearance next month at The Outer Dark Symposium on the Greater Weird in Atlanta. I’ll also be a guest at the NecronomiCon in Providence in August, but more on that later…

 

home_eyes_2019Once again, Panic Fest has come and gone. Well, not actually. As I write this, it’s still going on for two more nights of extended programming, but I’ve made it out for the last time, and not just because temperatures are supposed to get to literally below zero over the next couple of days, with windchills that can purportedly cause frostbite in minutes.

Panic Fest is a special time for me. Sure, it’s awesome to have a local horror film festival right here in my own town, let alone one that’s been named one of the best in the country. But that’s not the only reason. It’s not even just because all my awesome local film friends are in one place at the same time, even if we probably actually see each other less than we would the rest of the time, because we’re running around trying to catch as many movies as we can. It’s a special time for me because it marks an anniversary.

I’ve talked at some greater length about it in the past, but it was as I was leaving the house to go to Panic Fest 2015 that I got the phone call that set into motion the series of events which culminated in my dad’s death and several years worth of intervening therapy and… y’know, heavy stuff. Panic Fest felt like the last weekend for a long time where I got to just go be happy, and so every year it stirs up a lot of sometimes conflicting emotions, but I always love it, and I loved it this year, too.

Thanks in part to extended programming, not to mention the Screenland’s two fancy new screens, I got to see more movies this year than ever before. Total for the entire Fest was 11 films if you count Satan Place, which I watched at the kickoff event thanks to the folks at Magnetic Magic, plus one shorts block and about half of a live-reading of an adapted (we’ll say) version of the screenplay for Jason Takes Manhattan, which was a hoot.

Besides that I saw St. AgathaBook of MonstersGagsLuzThe LuringThe WindOne Cut of the DeadLords of ChaosThe Golem, and Starfish. Highlights of the Fest were definitely One Cut (which must be seen to be believed; go into it as cold as possible), Gags, and Starfish, but most of what I saw was good. The highs may not have been quite as high as last year, but the lows were also not as low, and overall it was a good crop. You may see me write more about Gags down the road, too. We’ll see.

Phil Gelatt convinced me to give Letterboxd a spin shortly before the Fest, so I’m on there. I haven’t reviewed the Panic Fest movies yet, and I may not, but if you want specific thoughts about any of them, feel free to DM me or email me or whatever.

One specific highlight of this year’s Fest was getting to meet Charles Pieper in person. He and I had been in contact via Twitter, and he invited me to take a look at his short film “Malacostraca” because we were both fellow monster aficionados.  I checked it out, dug it, and recommended that he sub it to Panic Fest, which he did, and it got in, and I got the pleasure of seeing it on the big screen and hearing a guy in the front row loudly exclaim “Jesus!” as the credits rolled. So that was fun.

 

This has been a rough year in the Grey demesne. We started 2018 on a raft of health problems that we rode well into the middle of the year. And even once they were (mostly) resolved–honestly, do health problems ever really get completely resolved?–we spent the rest of the year paying for them. I lost a big paying client. And in spite of my best efforts we still haven’t tunneled into the timeline where Howard the Duck is president.

2076490

On the plus side, though we stand on the cusp of 2019 bruised, battered, and low on health potions, the teeth of the universe haven’t yet torn the charge from our atoms. I ran a game of Iron Kingdoms in 2018, and we just completed out last session. Two of the characters were incapacitated, and one of the two who remained standing was holding on by the narrowest thread. That’s kinda how it feels like we’re going into 2019.

Which is not to say that the year wasn’t full of good things, too. I went to Panic Fest and the Outer Dark Symposium on the Greater Weird, which meant that I got to visit the Winchester Mystery House for the first time. I watched a lot of movies and made some new friends. I found a weird board game in the trash and took a picture of In the Mouth of Madness that I had always wanted to take. I became the Monster Ambassador at Signal Horizon and published stories in seven different venues, including my second appearance in Ellen Datlow’s Best Horror of the Year. I had a whole book come out!

Of all the things I’m proud of in 2018, however, I think I’m most proud of the small things I did that were steps outside my comfort zone. I carved jack-o-lanterns at Halloween, made a necklace that I love, and made divinity, an overly sugary candy concoction that I remember fondly from my childhood. I didn’t do any of those things entirely by myself. Grace helped me with all of them, sometimes overtly, as with the divinity, and sometimes just by giving me the confidence I needed to try something that I might not be good at right away.

I watched 269 movies in 2018, 163 of which were new to me, keeping with my goal of watching more new-to-me movies than not each year. Of those, roughly 35 were released in 2018. My biggest months were October with 39 movies and, thanks to a couple of marathon days, December with 33. My favorite movies that were released in 2018 were, in no particular order, ErrementariLowlifeTigers Are Not AfraidAvengers: Infinity WarBlack Panther, and Apostle. There were a lot of movies I really wanted to check out that I haven’t gotten a chance to watch yet. The last movie I watched in 2018 was The Boxer’s Omen (1983), which was a good way to close out this weird and crappy year.

I didn’t read very many books in 2018, but of those I did read my favorite was probably Caleb Wilson’s Polymer, which I recommend very highly. The first book I read in 2018 was Kaibyo: The Supernatural Cats of Japan and the last was Matthew M. Bartlett’s Of Doomful Portent.

There’s probably a lot that I’m forgetting as I pen this end-of-the-year wrap-up, but honestly I’m just in a hurry to show this garbage year the door. Don’t let it hit you in the ass on your way out, 2018!

 

 

Christmas is behind us now, for those who celebrate, though the New Year is still a few days away and we’re now locked in the holiday limbo period between the two. For myself, I’m playing catch-up around the house and trying to fight off a (hopefully minor) illness in time to go watch Full Moon movies on VHS all day this Saturday, a more exciting prospect than any mere holiday could ever provide.

maxresdefault (1)

So, what better time for me to mention a few things that have been happening while I’ve been busy with this or that. For starters, I made a second appearance at the Legends of Tabletop podcast where I was interviewed by Leah Bond and I was a guest at the Horror Pod Class podcast along with Sean Demory where we all talked about Candyman, Jordan Peele’s forthcoming remake of same, Clive Barker in general, “In the Hills, the Cities” in particular, and lots of other topics.

(Speaking of Jordan Peele, the trailer for his next film dropped on Christmas day and it is glorious.)

The Horror Pod Class is put on by the folks at Signal Horizon, who are good enough to have me on staff as a Monster Ambassador. In my ongoing efforts to sully the sanctity of that title, I recently reviewed the Arrow Video Blu-ray of Bloody Birthday and before that the Blue Underground release of Maniac, neither of which I had ever seen before diving into them. I promise that I’ll have some more appropriately monster-iffic content coming in the near-ish future.

Speaking of the not-too-distant future, Panic Fest is somehow almost upon us again already and, as I do every year, I will be in attendance making the rounds and watching awesome movies. If you’re local to Kansas City or planning to come in for the Fest, let me know and hopefully I’ll see you there.

Then, in March, I’m going to be a guest once again at the Outer Dark Symposium on the Greater Weird, which is being held at the Silver Scream FX Lab in Atlanta, Georgia. First, though, I’ve got to survive the last few days of 2018…

 

So, last night I sat on couches detailed like the spacesuits from Planet of the Vampires and watched three John Carpenter movies that I have seen roughly 1,000 times each (and, in at least one case, been quoted in a book about) with a bunch of other movie nerds at the third annual CarpenterFest at the Screenland Armour and it was great. We saw Assault on Precinct 13 and Prince of Darkness and In the Mouth of Madness. It was hosted by Greg and Jenius of the Nerds of Nostalgia/Nightmare Junkhead podcast, who were kind enough to single me out for some praise before the last movie.

maxresdefault

Before the event, I called CarpenterFest the film fest that I am duty bound to attend while also being able to recreate it in my living room at a moment’s notice. That proved true in this case, but watching movies in my living room is a very different experience from watching them in a theater full of people. And in spite of the aforementioned having seen them 1,000 times, I had actually forgotten that Prince of Darkness ends on a “top still spinning” scene, just as The Thing does.

In the run-up to CarpenterFest, I had a couple of things drop that I haven’t gotten a chance to post about before now. My review of Torso and The Wizard of Gore went live over at Unwinnable, and while I’m not supposed to pick favorites from my own writing, I’m really happy with how this double-review turned out.

Torso Wizard

Also, a little while ago, I was asked to guest-host an episode of Pseudopod. I was happy to do it, especially when they told me that the episode they wanted me to introduce was two stories by Manly Wade Wellman. As I say in the intro, there are three “old dead white guy” writers who I think are probably the biggest influences on the way I write today, and those writers are E.F. Benson, William Hope Hodgson, and Manly Wade Wellman. The two stories are “These Doth the Lord Hate” and “The Golgotha Dancers,” both pretty great, and the latter an excellent example of Wellman’s aptitude for weird creatures.

If you aren’t already familiar with Wellman’s work and this episode piques your interest, I cannot recommend him highly enough, and would suggest starting with his Silver John stories or the recent Shadowridge Press reissue of Worse Things Waiting, complete with the original illustrations by Lee Brown Coye.