Archive

appearances

Unknown SkeletonAt the start of this decade, I made my first-ever professionally-qualifying sale. (Pro rates were somehow even lower then than they are now.) I had been writing since I learned how, and seriously attempting to publish since I graduated college not quite a decade before that.

In 2012, the first edition of my first collection, Never Bet the Devil & Other Warnings, came out. In five years it would be out of print, then back in print, in a new, hardcover deluxe edition from Strix Publishing.

Looking back, it came out too soon. Not that I’m not proud of the collection – I am, completely, if I wasn’t, I wouldn’t have allowed it to be reissued. I just wasn’t at the “first collection” stage in my career quite yet, but I didn’t know that then.

In the years since, I’ve published two more collections of stories, both with Ross Lockhart’s Word Horde press, not to mention two collections of essays on vintage horror films, both with Innsmouth Free Press. I’ve published more than fifty short stories, and been in Ellen Datlow’s Best Horror of the Year three times.

I co-edited my first anthology with Silvia Moreno-Garcia, which got translated into Japanese.

I’ve done work for Privateer Press, writing short fiction and in-game content, adventures, and even a licensed novel that is technically my first published novel-length work. In the last year alone I’ve written nearly fifty movie reviews for Unwinnable and Signal Horizon, where I also now co-host a podcast.

I’ve written introductions for reissues of some of my favorite books, including Benighted and collections by Robert Westall, from Valancourt Books, and introductions to collections by some of my favorite contemporaries, including Nick Mamatas and Amanda Downum. I have nonfiction bylines in places like Clarkesworld, Strange Horizons, and Nightmare Magazine.

I’ve been a guest at several wonderful conventions and festivals, gone on a great many podcasts, introduced movies at the local movie theatres, and much more. There are so many things on this list that, had you told me about them ten years ago, I wouldn’t have believed you.

Of all the many surprising things that have happened to me over the course of the last decade, though, perhaps the most surprising is that I quit my day job to write full-time all the way back in 2013, and I haven’t had to give it up yet.

Fiction writing certainly doesn’t pay the bills, so most of my time is dedicated to freelancing, but, as they say in Major League 2, a day of playing baseball is better than whatever most people have to do for a living.

It wasn’t until Grace was asking me if I was planning to do some kind of decade-in-review that I realized how much my life has changed in these past ten years, so it seemed worth taking note. I went from being virtually unpublished (I had sold a few stories, but not many) to having six or more books (depending on how you count) with my name on the spine and writing for a living.

Not too shabby, all in all.

I didn’t publish very much fiction this year, but I am proud of what I did publish. “Doctor Pitt’s Menagerie” in Bargains from Pine Float Press, “Stygian Chambers” in Pluto in Furs, and “The Splitfoot Reel” in the memento book at NecronomiCon Providence.

That’s it for new stories, although this year also saw my third appearance in Ellen Datlow’s Best Horror of the Year, this time reprinting my story “No Exit,” which originally appeared in Lost Highways: Dark Fictions from the Road. “When a Beast Looks Up at the Stars,” which was one of the original stories in my third collection, Guignol & Other Sardonic Tales last year, was performed on Pseudopod this year as well.

When it comes to new work, though, this was the year I really became a film writer. I’ve been writing about film – in both my fiction and nonfiction – for a long time, but this was the year that I started adding bylines at Signal Horizon, where I am the official Monster Ambassador, and Unwinnable. Where I started receiving Blu-rays for review, and critic’s passes to preview screenings of new films.

At Signal Horizon, I also took over co-hosting duties of the Horror PodClass, where Tyler Unsell and I talk about movies and academic theories or lesson plans every couple of weeks. Most recently, we chatted about Black Christmas – both the new and the old – and subtext.

I won’t link to all the many reviews I’ve written over the course of the year, but if you want to follow along you can find most of them here, with more to come in the future.

I also had a book come out this year, Revenge of Monsters from the Vault from Innsmouth Free Press. It’s the sequel to Monsters from the Vault, as you might have guessed, but where that book collected all the Vault of Secrets columns I had written for IFP over the years, this one is almost all entirely new material, never published anywhere else.

That book launched at NecronomiCon Providence, which I was finally able to attend this year. I was on a couple of panels, attended some others, walked the nighted streets of Providence – a city at once familiar and strange, as was only appropriate – and got to introduce a secret screening of Matango.

NecronomiCon was one of the only conventions I made it to this year. Of course, I attended Panic Fest here in Kansas City back in January, and I went to Atlanta for the Outer Dark Symposium on the Greater Weird in March.

In fact, Tyler and I made the mistake of driving down overnight, which meant that I hit the Symposium having been awake for some 36 hours straight. Either the worst conditions for the event, or the ideal ones, even I’m not sure which.

I took a few out-of-town trips that weren’t directly related to work, such as a vacation to Myrtle Beach, where I got to assume that I was going to meet my Tethered in an abandoned spook house and get murdered. Of course, that didn’t happen – or did it?

This was also the year where I got to shelter-in-place when the Screenland was nearly hit by a tornado while we were watching the heavy metal horror movie Black Roses. Which, on that subject, this was also the year that I started regularly attending Analog Sunday at the Screenland, which has changed my life in all sorts of good ways.

When October rolled around, I hosted a bunch of stuff, and attended a bunch more stuff, as part of the local Shocktober programming here in town. And then, on my birthday, I got sick. And unfortunately, the cough that came with that illness has carried with me all this time.

The doctors say its post-viral bronchitis. I coughed so much that the nerves that trigger coughing got damaged, and now they just keep coughing. Unfortunately, the more I cough, the longer it will take them to heal, so I’m now taking measures to limit my activity in order to limit my coughing. Fingers crossed, and all that.70675603_10156706916314503_8400888024463835136_n (2)

As I write this, it’s my birthday, October 30, 2019. At least it is for another few hours. This year, I promised myself that I would do Halloween all the way to the hilt if it killed me in October. And I did. And it looks like maybe it did.

b472022db808d07e7e7165a0b7a8d75b

Art by HamletMachine

No, it’s nowhere near that bad. I was hoping to have a few friends over and maybe watch a movie or two this evening, but unfortunately this morning I woke up with a sore throat and as the day wore on I began to feel more and more under the weather, so I just stayed in and drank tea and didn’t do much besides work today.

Which is okay, because I had a lot of work that needed to get done before the month was over and also because it started to snow today, anyway. Plus, if I’m going to get sick on Halloween, which is the pits, at least I didn’t get sick earlier in the month when I had ten thousand various social obligations to be met.

Knowing I was going to be exhausted, even if I was otherwise fine, I was already planning for a relatively low-key birthday/Halloween, so this works out, even if I’d still rather not get sick, thanks.

It’s been a good month. I had lots of work to do, some of it more fun than others. I saw a lot of movies in local theatres and even hosted a few of them.

I got to show two of my very favorite William Castle/Vincent Price flicks to packed houses, which was an absolute joy. I saw Goblin perform live not once but twice. I kept up my yearly tradition of going to the Nerdoween triple feature and even added in Dismember the Alamo for the first time. I went out to a local haunted house in Independence with my buddies from Magnetic Magic and Forever Bogus. I did a reading at Afterword Tavern & Shelves.

So far this month, I’ve only watched 28 movies. I’d have to watch three movies between now and midnight tomorrow to average out to a movie a day for all 31 days which is… unlikely, but not inconceivable. I guess we’ll just have to see.

It probably depends, more than anything, on how I feel when I wake up tomorrow. As of right now, though, if I’m too sick to do any Halloweening whatsoever tomorrow, I think I’ll still chalk this October up as a win. And I’ve learned some valuable lessons for next time…

I am not a person who has very many traditions. I don’t even manage to watch movies on a certain day every year, no matter how hard I may try to always catch The Fog on April 21 or Return of the Living Dead on July 3. But one tradition that I’ve managed to keep going for five years now–including the year I had an emergency appendectomy that nearly killed me–is Nerdoween.

Put on by Greg and Jenius of the Nerds of Nostalgia and Nightmare Junkhead podcasts, Nerdoween is an annual Halloween institution; one night, three horror movies that aren’t revealed until they’re shown, all following a theme. Nerdoween has been going for five years now, and I’ve been there every year, front row center. (That last part isn’t quite true. I sat in the second row this year because it was better for my shoulder. In other news, I am old.)

Every year, I’ve managed to see at least one film that I hadn’t seen before–until this year. The first year, the theme was demons, and I caught both Demons and Night of the Demons for the first time, believe it or not. The second year, the theme was sequels, and I saw both 28 Weeks Later and Texas Chainsaw Massacre 2 for the first time.

The theme for the third year was anthologies, which seems a likely place for them to strike out, but I actually caught Tales from the Hood for the first time that year. (The other two were a couple of favorites; Creepshow and Waxwork.) The fourth year was sleazy sci-fi, where I got to see Xtro for the first time.

This year’s theme, as you may have gathered from the title of this post, was “nouns that kill.” We started out with killer cars and Stephen King’s cocaine-fueled rampage Maximum Overdrive, which is really an ideal movie for this kind of event. We followed that up with killer kids and Cooties, which the audience seemed to go wild for.

The final film of the night would have been animals that kill in the form of Arachnophobia, but that was destined to fall victim to a one-two punch. My adopted brother Jay has gone with me to every one of these since I started, and this one was no exception. Thing is, though, Jay doesn’t do spiders. And me? I had literally watched Arachnophobia 14 days ago for work.

Even that might not have been enough to doom the enterprise, but I’m actually going out again tomorrow for Dismember the Alamo (it’ll be my first time), where I’ll be watching four movies. Then Analog Sunday the next day. Then probably another mystery movie night on Monday. Then possibly Horror Roulette. Then definitely a Ghoulish Evening with Orrin Grey and Signal Horizon at the Afterword Tavern & Shelves on Wednesday. So an early night wasn’t a bad call for me.

Even if I had stayed for Arachnophobia, this would have been the first year that Nerdoween didn’t introduce me to a new flick that I hadn’t seen before. For someone whose movie viewing–especially in the horror genre–is as prolific as my own, that’s a pretty impressive feat. And I’ll be there next year, whatever the theme might be, front (or maybe second) row center.

Now it’s All Hallow’s Eve, the moon is full…66a66c6b3b1d962dbe2636ae80b9c675

Okay, it’s not quite All Hallow’s Eve just yet, but hey, as the song says later, every day is Halloween and today is October 1, the first day of the month-long celebration that is the spookiest (and therefore best) time of the year. The time when the rest of the world finally dresses up at least a little bit like how it is in my head all year ’round.

As I have intimated before now, this October is gonna be busy for me. I did the math the other day, and while I’ll be around most days so that I can, y’know, actually work, there are only eight nights in the entire month of October when I don’t have something booked. Some of those somethings are things I’m attending, others are things I’m hosting.

As I’ve said before, I’ll be hosting a special screening of The Tingler on October 14 and The House on Haunted Hill on October 27, both at the Screenland Tapcade. There’ll be food and drink and ghosts… plus prizes and some William Castle-esque gimmicks. You’re all invited.

Also at the Tapcade, I’ll be co-hosting a special Weird Wednesday screening of Lake Mungo. So special, in fact, that it’s happening on a Tuesday, October 29 – the day before my birthday. Those are the movies I’m hosting, but I’ll also be joining Tyler Unsell and Signal Horizon for a Ghoulish Evening with Orrin Grey at the Afterword Tavern & Shelves in the Crossroads on October 23, and something else that’s brewing (pun possibly intended) on October 25 at the Big Rip Brewing Company.

That’s just the stuff I’m actually hosting. I’ll also be seeing Goblin live, scoring Suspiria and Deep Red, catching the infamous gore cut of Tammy the T-Rex, attending my annual tradition, the Nerdoween Triple Feature at the Tapcade, as well as Dismember the Alamo, which are on consecutive days meaning that, with Analog Sunday the day after, I’ll be watching at least eight movies on the big screen that weekend.

It’s all good stuff, but it’s also a lot. So hopefully you’ll hear from me throughout the month – as I said, I’ll be at home most of the time during the day, because I’ve gotta work sometime – and I’m doing the Countdown to Halloween, as always. But in case you don’t, know that I’m out celebrating and drinking deep from the Halloween season, and you should be, too, if you’re into that kind of thing.

As promised, here’s the full schedule for the Screenland‘s SHOCKtober event, which is taking over the joint for the entire month of Halloween. I’ll be hosting screenings of The Tingler on October 14 and House on Haunted Hill on October 27. Both are FREE, and we’re going to have a hell of a time. There’ll be treats and prizes and maybe even a few Castle-style gimmicks, you’ll just have to come out and see!

I’ll also be attending Suspiria and Deep Red with live scores by Goblin on October 8 and 9, the Nerdoween Triple Feature on October 18, Analog Sunday featuring The Basement on October 20, and the CarpenterFest triple feature on October 26, plus as many of the others as I can cram in there.

69517391_10156724776092947_101674726438469632_n

September is here, and September is basically the First of Halloween. I don’t have decorations up yet in my house, but it’s just a matter of time. Mostly, I’ve been keeping myself hopping with deadlines since I got back from Providence. However, I’ve also seen a few movies, and written about some of them, so let’s talk about that real quick…

In recent releases, I caught Scary Stories to Tell in the Dark (which I loved) and Ready or Not and Satanic Panic (which I liked) all at the Screenland Armour, not to mention the disappointing Itsy Bitsy via a screener and The Curse of La Llorona (which I didn’t review anywhere) on a plane.

At the risk of damaging my reputation as the guy who actually likes Conjuring movies, The Curse of La Llorona wasn’t anything to write home about, though Velma did her best and it was dark enough that “on a plane” was far from ideal viewing conditions.

What was an ideal viewing condition was seeing Satanic Panic in a crowded theatre of like-minded souls at the Screenland. Speaking of ideal viewing conditions, I also re-watched, for the umpteenth time, both Matango, which I was lucky enough to get to introduce, and Occult at NecronomiCon Providence.

Tomorrow night, I’m watching It: Chapter Two, which I’m excited about. Those of you who have been around for a while probably remember me being mixed on It: Chapter One, which I haven’t seen since I caught it in theatres a couple of years ago. But time has been kind to my memories of that movie and, even if it  hadn’t, Chapter Two is where the stuff that I’m more interested in starts to percolate to the surface, at least theoretically, and I’m hoping it gets real weird.

If nothing else, there’s a carnival midway in the trailer, and I am always on board for carnival midways.

I usually watch and review more older movies than newer ones, and while that hasn’t been the case the past few weeks, there have been a few, including the genuinely great Alice, Sweet Alice and the incredibly problematic but fascinating Cruising. Also The Legacy, to continue my parade of reviews of rich Satanist movies.

69534813_10156719537162947_5659868775516733440_nScreenland Armour has unveiled their Shocktober lineup for 2019, and tickets are supposed to go on sale sometime today, though I haven’t seen that happen yet. I’ll link when it does. There’s a bunch of stuff in there that I’m going to be a part of, including introducing a couple of my favorite Vincent Price flicks! I’ll post dates when I’ve got ’em.

I’ll also be attending some stuff that I’m not in charge of, including seeing Goblin score Suspiria and Deep Red live on the 8th and 9th, catching the Nerdoween Triple Feature (my annual tradition) on the 18th, going to Analog Sunday on the 13th, and attending the fourth annual (I believe) CarpenterFest on the 25th.

In non-movie-related news, I’ll also be co-hosting a shindig at the Afterword Tavern & Shelves in the Crossroads on October 23. We’re calling it A Ghoulish Evening with Orrin Grey & Signal Horizon. Costumes are encouraged, there’ll be books and libations for sale, and more details to come as the event draws closer.