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In 2017 I watched 245 movies. Of those, I watched 152 of them for the first time, only keeping ahead of my “watch more movies that I haven’t seen before than ones that I have” goal by about 30 titles.

Of those, I watched 32 movies that were released in 2017 (depending upon how you count release dates). That’s actually a higher-than-usual number for me, which also means that, for the first time in a while, I saw enough good movies that came out in 2017 that I feel comfortable assembling a top ten list without just including every movie that I didn’t hate on it. So, with the usual caveats that this is a list of my ten favorite movies of 2017, certainly not necessarily the ten best, and that at only 32 movies, there are lots more that I haven’t seen than ones that I have, here are my Top Ten Movies of 2017 as they stand right now:

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10. Better Watch Out
I saw Better Watch Out back in August during a special theatrical screening and it blew me away; a vicious, funny, frequently surprising take on the home invasion formula and also a chilling look at male entitlement. If I was still going entirely off of that initial experience, this would be higher on my list, but a second viewing took off some of the shine. Still, if you’re going to see this one, see it as cold as possible, And whatever you do, don’t watch the trailer, which gives away many of the film’s best reveals.

9. Kong: Skull Island
There are plenty of better movies that didn’t make this list, but pretty much no matter what else I saw this year, Skull Island‘s complete and unflinching dedication to being a two-hour pilot for a gory Saturday morning cartoon meant that it was always going to have a place here. Plus, lots and lots of monsters.

8. Three Billboards Outside Ebbing, Missouri
This slot could basically be a tie between Three Billboards and the Netflix original I Don’t Feel at Home in This World Anymore. But, gun to my head, Martin McDonagh’s third feature takes the edge thanks to incredible performances from its leads and an unexpected emotional through-line that takes the Coen Brothers-esque premise someplace perhaps less satisfying but ultimately more cathartic than it seems.

7. Gerald’s Game
When I initially watched Mike Flanagan’s passion project adaptation of Stephen King’s Gerald’s Game, I walked away with mixed feelings. But the more I thought about it, the more this intricate meditation on the long-term effects of trauma stuck with me. As someone who is still working through the aftereffects of childhood trauma, there were plenty of moments here that felt all-too-familiar.

6. Spider-Man: Homecoming
I’ve been waiting all my life for them to finally get a Spider-Man movie right. Guess it only took six tries.

5. Baby Driver
Baby Driver is an imperfect movie, especially in its last third where even its best elements begin to break down. But its central conceit — a musical in which the characters listen to the music rather than singing it — is so enjoyable that it carries the movie well beyond anyplace it might otherwise have crashed on its own.

4. The Shape of Water
It is maybe a little ironic that what is probably Guillermo del Toro’s most assured film to date is also the one that feels the least like a Del Toro film. In The Shape of Water, Del Toro channels his affection for The Creature from the Black Lagoon, Abe Sapien, 60s Cold War paranoia, golden age Hollywood musicals, and a whole lot more into a love letter to outsiders that feels as much like a piece of French fabulism as it does any of Del Toro’s Spanish-language films.

4. Blade of the Immortal
For his 100th movie (depending on how you count), Takashi Miike combines the over-the-top qualities for which he is perhaps best known with the beauty and control of his more stately samurai films to create the bonkers and beautiful Blade of the Immortal. I watched it while recovering from surgery, and wrote up my slightly-drug-addled impressions at greater length for Unwinnable.

2. Thor: Ragnarok
There are lots of better movies lower on this list, but I probably didn’t have a better time at the movies all year than I did with Thor: Ragnarok. The various Marvel Cinematic Universe films have always done a pretty good job of feeling like they occupied an ever-expanding comic book universe, but Thor: Ragnarok may be the first one that actually feels like reading a four-issue comic book arc, in all the very best ways. For various reasons, I seldom see movies more than once during their initial theatrical run. In fact, I can almost count the number of times I have done so on one hand. Sadly, I haven’t yet gone to see Thor: Ragnarok twice while in the theatre (and probably won’t), but I really want to, which maybe says all I need to say.

1. Get Out
When I left the theatre after seeing Get Out, one of the first things I said was, “I’ve got to stop watching the best movie I’m going to see all year in February.” (Last year it was The Witch.) I said it partly as a joke, but I also wasn’t kidding. From the minute I finished Get Out, I knew I wouldn’t see a better movie in 2017 because, let’s be honest, how amazing a year would it have been if we got two movies as good as Get Out?

My least favorite movie of the year has also remained the same since the moment I walked out of the theatre, and let us hope that it shall always remain so, because if I see a movie that I hate more than I hated Alien: Covenant in the immediate future, I will be very sad.

Besides those movies above, I had a lot of great experiences in the theatre watching revival showings in 2017. Once again, I made it out to Panic Fest in January, this time attending as a civilian for the first time ever, and I’m planning to go again this year. I caught the Nerdoween mystery triple feature with the Nerds of Nostalgia at the Tapcade for the third year in a row, in what has rapidly become my Halloween tradition. This year I saw Tales from the Hood for the first time, and got to introduce Jay to both Waxwork and Creepshow. And if Thor: Ragnarok wasn’t the best time I had at the movies all year, then seeing The Deadly Spawn for the first time ever on the big screen at the Alamo definitely was. Not only did I love the movie, but there was just that magic in the air that made the screening a particularly special event.

The last movie that I watched in 2017 was either The Last Jedi or Terminator 2, depending on how you count. The first movie I watched in 2018 was The Debt (2010), but the next one I watch is likely to be the much more on-brand Hell Night.

Yeah, yeah, yeah, we’ve still got, like, a week left, but it’s highly unlikely that I’m going to publish anything more in those few days, so let’s go ahead and get this dumpster fire of a year behind us, shall we? (Remember when we all thought that 2016 was kind of the epitome of a bad year? We were so adorable.)

Given the way the last few months of this year, especially, have gone, with various health crises and escalating stress, it’s easy to forget that I accomplished much of anything at all during the rest of it, but I actually published a few stories and, hard as it is to believe, two books in 2017! And by “a few” I mean roughly five new stories of mine came out in 2017, six if you count the one new story in the deluxe hardcover edition of Never Bet the Devil. I had stories in The Children of Gla’akiFor Mortal Things UnsungTerror in 16-BitsTales from a Talking Board, and Darker Companions. (For those keeping score at home, that’s actually two Ramsey Campbell tribute anthologies, and not a single overtly Lovecraft-themed one. Maybe a record?)

On top of that, 2017 saw the release of my first novel, in a manner that I would never have expected in a million years. Godless, the first volume in a proposed series chronicling the adventures of Tristan, nicest of all the Protectorate of Menoth warcasters, was released by Privateer Press back in April. I didn’t realize it at the time, but I also got the distinction of being the first writer to permanently kill off a major in-game character, so that was pretty cool. The book was written in something of a rush to meet my deadlines, but it seems to have been received fairly well. I dedicated it to Ray Harryhausen, and earlier this month I got to visit an exhibit of Ray Harryhausen models, storyboards, concept art, and other ephemera in Oklahoma City, which was a rare pleasure indeed.

In non-licensed work, 2017 also saw the re-release of my first collection, Never Bet the Devil & Other Warnings, in a fancy deluxe hardcover edition courtesy of Strix Publishing. The (jaw-dropping) cover design and pitch-perfect interior illustrations are all the work of Mike Corley, one of my favorite artists in the business and pretty much my first and only choice to work on this book. Besides adding new illustrations by Mike, I wanted to make sure that the deluxe edition had some added value for those who had already purchased the (now out of print) paperback original, so we also included two additional stories that weren’t in the first release. One of them, “Goblins,” was entirely original to the collection, while the other, “A Night for Mothing,” is a difficult-to-find rarity that was originally published in The Mothman Files all the way back in 2011.

Besides heading out to the Ray Harryhausen exhibit in early December, I managed to make a handful of convention appearances throughout the year, despite my wretched health. I attended Panic Fest here in Kansas City back in January for the first time as a civilian (previous years I had helped out with booths and other odds-and-ends), something I plan to do again this year. I was a guest of the Outer Dark Symposium on the Greater Weird in Atlanta back in March and at the H.P. Lovecraft Film Festival in Portland in October, where we actually launched Never Bet the Devil & Other Warning. I’m told that no less a personage than Barbara Steele stopped by the booth to inquire about the book, but at the time I was out getting a burrito, which is probably just as well, so that I couldn’t pitch it to her by explaining that, “I think it’s got ghosts and stuff.”

In-between all of those, I also made a trip up to Minneapolis to see the Guillermo del Toro exhibit At Home with Monsters, and a trip to the Boulder area of Colorado, mostly to accompany Grace to a low flutes retreat, though I also used the opportunity to meet up with some writing acquaintances and do a bit of writing myself, including penning a story that I’m pretty proud of which is part of a lengthier story cycle that I mostly finished during the course of this year, though none of the new additions to it have seen print just yet.

Lots more stuff happened in 2017. I watched a lot of movies, read a few books, was sick a lot, had an emergency surgery, spent my birthday recovering from that, and did a whole host of the other usual stuff that you do in a year, even one where everything is on fire. I’ll have most posts about the movies I watched in 2017, as well as a Year in Creatures, most likely, but those will have to wait until the year is actually over. For now, that’s most of what I accomplished as far as writing and publishing go, and that’s what we’re here for.

Okay, it’s three days before Halloween, or will be by the time you read this. I’m writing it early, because I’m going to be busy the weekend of Halloween with one thing and another. For starters, the 30th is my birthday, and I’ll be hosting a FREE screening of The Pit and the Pendulum at the Screenland Armour at 2pm that day, if you happen to be local and want to drop by.

Normally, I would post this on Halloween itself, but this year Halloween night is on a Monday, which is just insult to injury, so if anyone is going to be celebrating with late-night horror movie marathons (as is right and proper) they’re probably going to be doing it today or tomorrow.

To help you out, I’ve gone ahead and programmed one for you that’ll run from dusk til, well, pretty late, anyway. Starting in at 6pm, just as the sun starts going down, and running until around 2 in the morning, by which time it’s safe to extinguish your jack-o-lanterns and start drifting off to bed or whatever else you might be doing. (Just a few minutes shy of 8 hours, to give you time to grab snacks, pause to hit the restroom, and rewind to watch particularly great scenes.) The theme of this year’s movie marathon is: horror movies that take place on Halloween!

6pm: Halloween (1978)
Arguably the Halloween movie (I mean, it’s right there in the name), John Carpenter’s classic is a good, restrained lead-in to the night, and may be at its very best when capturing the feel of Halloween afternoon leading up to the night itself, even while Haddonfield looks suspiciously non-autumnal for a town that’s supposed to be in Illinois (but is actually in California).

7:30pm: Trick ‘r Treat (2007)
Few things capture the Halloween spirit better than an anthology film, and when that anthology film is about Halloween, well, all the better. Mike Dougherty’s directorial debut may be the most Halloween-centric horror film ever made, and is the perfect movie to watch during the trick-or-treating hours.

9pm: Halloween 3 (1982)
It’s time. Don’t forget to put on your Silver Shamrock masks while you watch the big giveaway at nine, or just the most bonkers Halloween movie ever made, complete with, well, just about everything, from robots to Stonehenge to druid plots and masks that fill kids with crickets and snakes. Plus, the most nihilistic ending of the evening…

11pm: Night of the Demons (1988)
We’re heading into the midnight hour now, and so it’s time to dust off Night of the Demons. If Halloween captures the atmosphere of the night and Trick ‘r Treat conjures its spirit, then Night of the Demons is the closest you’re going to get to hanging out at a crappy Halloween party in a haunted house. Let it carry you through the witching hour, and then…

12:30am: The Guest (2014)
Blow out your jack-o-lanterns and get ready for  your Halloween marathon cool-down with The Guest, a movie every bit as rooted in Halloween as any other film on this list, but also one that’s standing at the edges of the party, making everyone uncomfortable. It’s a blast to watch, and a perfect way to end the night, easing out of Halloween mode without leaving the holiday behind completely.

By now it’s 2am, but if you want to keep the party going, feel free to drop a couple of other movies into the mix. Adding in Creepshow (1982) and The Midnight Hour (1985) ought to be enough to get you an all-night horror-thon that runs from dusk til dawn.

A few years ago, Neil Gaiman suggested this idea that he called All Hallow’s Read, in which we would all start a tradition of giving each other suitably spooky books on Halloween. I don’t think it ever really caught on, but I do know plenty of people who have annual traditions of reading a certain book every year around this time, whether it’s A Night in the Lonesome October or Ray Bradbury’s The Halloween Tree.

So whether you’re looking for a scary book to give as a gift this Halloween, or just want something seasonal to read for yourself as the leaves start to turn, I thought I’d throw together a quick list of recommended Halloween reading, limiting myself pretty strictly to books by authors who are currently still alive and working.

Besides mostly avoiding books in which I had any hand (with one exception), I tried not to include books that I haven’t read myself just yet, though you can see that I missed the mark in some ways. That left out a number of books that might otherwise have made the cut, including John Langan’s The Fisherman and Paul Tremblay’s A Head Full of Ghosts or Disappearance at Devil’s Rock. I also limited the list to prose books, though I bent the rules a little bit there too with the last inclusion, leaving aside any of the dozens of graphic novels that might otherwise have dominated the list, and preventing it from being an All Mignola, All the Time list, as it otherwise would have been…

  1. Creeping Waves, Matthew M. Bartlett
    Besides being perfect for the Halloween season, Matthew M. Bartlett’s Creeping Waves is just one of the best weird/horror books I’ve read in years, full stop. And hey, it’s on a massive sale from the publisher for the entire month of October, so there’s no better time than the present to pick it up!
  2. All-Night Terror, Adam Cesare & Matt Serafini
    Really, pretty much any of Adam Cesare’s books could go on this list handily, and if you’ve already read All-Night Terror, I recommend subbing it out for Video Night. Either way, this nails that feeling of sitting down for a horror movie marathon with a big tub of popcorn and some of your best friends, while also bringing in a little of the feeling of those E.C. horror comics. Plus, it’s on sale for cheap on the Kindle for the month of October!
  3. Every House is Haunted, Ian Rogers
    The big news surrounding Ian’s short story collection from back in 2012 is that one of the stories from it, “The House on Ashley Avenue,” recently got optioned for an NBC TV series from the writers of Bates Motel and The Grudge! But long before that had ever happened, Every House is Haunted was already one of the best single-author horror collections out there, with an assured and enchanting mix of scary stories that are utterly perfect for autumnal reading.
  4. The Bone Key, Sarah Monette
    An old favorite, Sarah Monette writes some of the best contemporary ghost stories that you will ever read, and many of them are collected right here in The Bone Key, which bears the irresistible subtitle, The Necromantic Mysteries of Kyle Murchison Booth. Really, how can you go wrong with that?
  5. The Secret of Ventriloquism, Jon Padgett
    I’m cheating a little bit on this one, because I haven’t yet read the entire collection, and it’s not actually out yet. But it is available for pre-order, and it should be shipping soon, and while I haven’t read every single story in it, I’ve read enough to know how excited I am for this one. Creepy ventriloquist dummies, malformed skeletons, and plenty of Ligottian nihilism make this one a perfect fit as the days grow short and the nights grow tall.
  6. The Last Final Girl, Stephen Graham Jones
    What would Halloween be without a slasher flick or two? And Stephen Graham Jones delivers a slasher flick as only he can with his incredible novel, The Last Final Girl. When I first read it back in 2014, I called it “the book he was born to write, the book he’s been training for all this time.” I stick by that.
  7. Giallo Fantastique, ed. Ross E. Lockhart
    Speaking of slashers, here I am bending my rules just a little bit, this time by including a book that I’m featured in. And if I was gonna do that anyway and recommend a Word Horde anthology, I should probably be shilling the just-released Eternal Frankenstein, even though I haven’t gotten a chance to read it myself just yet. But for me, there’s no more brilliant concept for an anthology around than Ross’s incredible Giallo Fantastique, a vibrantly-colored mixture of crime, horror, and the bizarre that’s perfect reading for Halloween, or any other season.
  8. Dreams of Shreds and Tatters, Amanda Downum
    And while we’re on the subject of things that are yellow: Think of Dreams of Shreds and Tatters as urban fantasy by way of The King in Yellow and Lovecraft’s Dream Cycle. Or think of it as the coolest World of Darkness game you could ever imagine playing. However you think of it, pick it up. While the setting may be a bit wintry for October, it’s a perfect read for the end of fall, as the air starts to get that extra bite of cold to it.
  9. Guillermo del Toro: At Home with Monsters
    Designed as a companion to the exhibit of the same name that’s currently running at the Los Angeles County Museum of Art, At Home with Monsters is another book that I haven’t quite read from cover to cover just yet, but I don’t need to in order to know that it’s also a great companion for monster season. Full of images and insights from del Toro’s collection, it’s a perfect book for any monster lover.

monsters-vaultYeah, yeah, it’s already been October for a few days now, but I’ve been recovering from a tonsillectomy, so this is the first time this month that I’ve felt well enough to post anything. So consider this the official kickoff of my Countdown to Halloween this year!

This year it seems like everyone has been doing these “31 movies for Halloween” lists, to help people to watch a horror movie a day for the entire month of October. Which, to be fair, is something I come very close to doing most months of the year anyway. I thought that it would be fun to throw together a list, but with so many people doing them, it seemed impossible to think of a way to make my list stand out. And with so many movies to choose from, narrowing them down to just 31 seemed like a daunting task. So I hit upon a solution:

I would limit my list exclusively to movies that came out before prior to the release of John Carpenter’s Halloween in 1978. Part of the impetus for this decision was to make my job a little easier, but part was also to help draw attention to the fact that Monsters from the Vault, my collection of columns on vintage horror films, is on sale for only 99 cents on the Kindle for the entire month of October! (And is currently already sitting in the #1 bestseller spot on Kindle for “video guides & reviews.”)

So, to that end, not only did I limit myself to movies made before ’78, I also pretty much used the same criteria that I used when selecting movies for my Vault of Secrets column. No movies that felt too “modern,” for whatever ambiguous and subjective definition of that I wanted to use. So while my ’78 cutoff would technically let me include things like The Exorcist or even Suspiria, I ruled those too modern, and stuck to the stagey movies that dominated the horror scene in the 30s, 40s, 50s, and 60s.

Which brings me to my other stipulation. I also tried to avoid the most usual suspects, so you won’t find many of the most respected “classics” on this list. No Nosferatu or Psycho, no Haunting or Rosemary’s Baby. If a title seemed to obvious, I tried to eschew it, with a few exceptions. That means you also won’t find some of the classic monsters on here. No Frankenstein, Dracula… not even a mummy. Instead, I opted for at least somewhat more obscure titles that felt like they captured that “Halloween spirit,” while also hopefully covering a pretty wide swath of different styles, tones, and sub-genres. (This also means that you won’t find many kaiju, 1950s atomic panic movies, or alien invaders here… though maybe a few.)

If you like my list, these are exactly the kinds of movies that I write about in Monsters from the Vault, and there’s no time like the present to pick it up. Anyway, without further ado, here are my 31 vintage horror films for the 31 days (and nights) of Halloween:

  1. Night Creatures (1962)
  2. Dead of Night (1945)
  3. The Cabinet of Dr. Caligari (1920)
  4. I Walked with a Zombie (1943)
  5. The Body Snatcher (1945)
  6. Night of the Demon (1957)
  7. The Devil Rides Out (1968)
  8. Black Sunday (1960)
  9. Pit and the Pendulum (1961)
  10. The Haunted Palace (1963)
  11. Die, Monster, Die! (1965)
  12. Mr. Sardonicus (1961)
  13. The Four Skulls of Jonathan Drake (1959)
  14. The Brainiac (1962)
  15. Santo and the Blue Demon Against the Monsters (1970)
  16. Fiend without a Face (1958)
  17. Curse of the Fly (1965)
  18. Matango (1963)
  19. Kill, Baby… Kill! (1966)
  20. The Legend of Hell House (1973)
  21. The Vampire Lovers (1970)
  22. The Plague of the Zombies (1966)
  23. Doctor X (1932)
  24. Mystery of the Wax Museum (1933)
  25. The Thing from Another World (1951)
  26. The Undying Monster (1942)
  27. Return of the Vampire (1943)
  28. Mark of the Vampire (1935)
  29. Mad Love (1935)
  30. The Old Dark House (1932)
  31. House on Haunted Hill (1959)

 

I started 2015 with a modest goal: I wanted to watch more movies that I had never seen before than ones that I had. I think I accomplished that pretty handily. In 2015, I watch 255 movies, 156 of them for the first time. Of those 156, 25 of them were released in 2015. (Yeah, I don’t make it out to the theatres as much as I used to…)

For me, 2015 was a year full of movies that I liked but didn’t love. Since there’s no one twisting my arm to make a ranked Top Ten list this year, I’ll simply say that, of the movies that I saw that were released in 2015, a few of my favorites include: Mockingjay Part 2, Insidious Chapter 3, Crimson Peak, Krampus, and Mad Max: Fury Road. And before you ask, no, I still haven’t seen The Force Awakens, so you’ll have to wait to hear what I think of it. I did catch Hateful Eight just under the wire, watching it on New Year’s Eve in 70mm, but, while the experience was pretty amazing, I’m not yet sure how I felt about the movie. I also saw Bone Tomahawk over the weekend, and it was every bit as good as everyone’s been saying, though it definitely did drama better than it did horror.

There are lots of other likely contenders for a best of the year list that I just haven’t gotten the chance to sit down with yet. In spite of the best efforts of movies like Hellions and Run All Night, the worst movie that I saw that came out in 2015 remains Tremors 5, and I say that as a fan of the franchise, even its later entries.

When you only see 25 movies that came out in a year, you’re bound to miss a lot of good ones. So it probably comes as no surprise that I saw more older movies for the first time that left a big impression on me than I did movies that actually came out this year. A few highlights include: The Guest, The Canal, Nightcrawler, April Fool’s Day, The Taking of Deborah Logan, Resolution, The Warriors, Hide and Seek (2013), Kill, Baby… Kill!, Black Mountain Side, Blood and Black Lace, Night of the Demons, Phantom of the Paradise, Santo y Blue Demon Contra Los Monstruos, Kiss Me Deadly, and Mockingjay Part 1.

While I didn’t make it out to the theatre very often this year, I did have several superlative theatre-going experiences. Back at the tail-end of January, I attended Panic Fest, where I got to catch a midnight double-feature of WolfCop and The Editor. I’ll be there again this year, on the weekend of February 5. In October, I was a guest at the HP Lovecraft Film Festival in Portland, where I caught a bunch of movies, the best of which was probably Black Mountain Side.

On my birthday I attended a mystery horror triple-feature at the Tapcade, where I got to see both Demons and Night of the Demons for the first time, and then in November I saw the Mockingjay double-feature at the Alamo. Finally, just a few nights ago, I watched The Hateful Eight in 70mm, as I already mentioned.

In 2016, I hope to continue the trend of watching more movies that are new-to-me, and fewer re-watches, although going back to classics (or not-so-classics) that I haven’t revisited in a long time is also high on my list. I’m also hoping, though it seems that I say this every year now that I’m a freelancer, to read more books in 2016, so that may cut into my movie watching time. We’ll see…

Daniel Mills​ tagged me to name “seven things about my writing that you may not already know,” which is the sort of thing I would normally agonize over for several days before unceremoniously dumping it onto the Internet in the middle of the night. However, I don’t really have time for agonizing right now, so I’ll just skip straight to unceremonious dumping. Here are the first seven things that came to mind that might possibly qualify:

  1. While I don’t really have a process–it changes pretty drastically from story to story–I try, whenever deadlines permit, to write everything out completely at least twice. I find that in the course of writing it the second time, I catch things that I wouldn’t have noticed if I had simply been revising.
  2. I used to write to music compulsively, but these days I find that I can’t do it. Just about any kind of music seems to kill the rhythm of writing, with the recent notable exception of John Carpenter’s Lost Themes.
  3. Nathan Ballingrud once lamented that he couldn’t decide if he wanted to be William Faulkner or Robert E. Howard. (I believe I got those names right, Nathan?) I told him that I was pretty sure I just wanted to be Robert E. Howard (though Mike Mignola or E.F. Benson would probably have been better examples), and he basically told me to go out and do the best job of that I could. I’ve been trying to live by that advice ever since.
  4. I’ve known that I wanted to write pretty much forever, but probably the biggest turning point in my development as a writer came when I was introduced to Roger Zelazny through his Chronicles of Amber books. Something about Zelazny’s prose transformed me from someone who wanted to write, into someone who wanted to write better.
  5. Though it is, I think, somewhat unfashionable to admit such a thing right now, my writing is heavily influenced by film, though less, I hope, in the form of “here’s a thinly-veiled fanfic of my favorite TV show” or “here’s a story that I really wanted to be a screenplay but I figured I could sell it quicker this way” and more simply that years of watching and digesting movies has left an indelible stamp on my imagination. In his own version of this meme, Daniel mentioned that he was “critical of the influence of film on contemporary fiction,” and went on to enumerate a number of reasons, all of which made good sense. One of those was that “the first-person tense is eliminated.” A look over my stories shows that I am, at least, not in any danger of that, since I dearly love writing in both first- and the much more oft-maligned second-persons.
  6. I currently write for a living, but the majority of my income doesn’t come from fiction–licensed or otherwise–but from content work for various corporate websites and blogs. Which is not as much fun as writing about wax museums, lost films, and unlikely ghosts, but it does pay better, at least for now.
  7. If I were ever to print out some sort of motivational saying and have it framed above my desk to inspire me when I’m writing, it might well be a quote from Alan Moore’s introduction to the second Hellboy collection, Wake the Devil: “The trick, the skill entailed in this delightful necromantic conjuring of things gone by is not, as might be thought, in crafting work as good as the work that inspired it really was, but in the much more demanding task of crafting work as good as everyone remembers the original as being.”