Archive

never bet the devil

Never Bet the Devil CoverAs you have no doubt gathered by now, the brand-new deluxe edition of Never Bet the Devil & Other Warnings from Strix Publishing is a real, physical object that has actually happened and is currently sitting on my shelf. What you may not yet know is that it can also be sitting on your shelf, even if you missed out on the Kickstarter and/or didn’t see us at the H.P. Lovecraft Film Festival. Through the magic of something called “the internet,” you can now order your very own copy of Never Bet the Devil & Other Warnings, featuring two (2) new stories not published in the previous edition, all new illustrations and header images for every story by the phenomenal M.S. Corley (who is also responsible for that amazing cover), and a new (and very kind) introduction by Nathan Ballingrud!

(And hey, if you’re going to pick up a copy, now’s the time to do it, because you can get it at 15% off thanks to Strix’s Halloween sale!)

Speaking of Halloween, I recently wrote up a recommendation list of five vintage vampiric movies for you to watch on Halloween, which you can read over at Innsmouth Free Press? Why would I do that, you ask? The better question might be, Why wouldn’t I? But in this case it’s actually all part of an elaborate scheme meant to help promote Monsters from the Vault, my collection of essays on vintage horror cinema, collected from across more than five years of writing columns for Innsmouth Free Press. Why vampires, though? Well, that just kind of happened. But you’re certainly not limited to vampires. Pick up a copy of the book and you can find plenty of mad scientists, alien invaders, werewolves, mummies, murderers, unusually large insects and rodents, blobs, apes, skeletons, cults, and just about anything else you might want for your seasonal viewing pleasure.

The list also serves double duty by making me feel a little less bad about not being a very good contributor to the Countdown to Halloween. This October has been a little rough. It got off to a good start with the HPLFF, but there have been a variety of other setbacks that have kept me from celebrating the season with the same vigor that I might have on previous occasions. Fortunately, I have at least gotten Halloween decorations up, and tomorrow night I’m heading out to the Tapcade for a horror anthology triple feature courtesy of the Nerds of Nostalgia. I attended the first of these “Nerdoween” triple-features a couple of years ago, and they’ve since become an annual tradition. Thanks to them, I’ve discovered both Demons and Night of the Demons and, to a somewhat lesser extent, both 28 Weeks Later and Texas Chainsaw Massacre 2. Since this year’s entertainment is anthology film-themed, the odds of me not having already seen all of them decrease sharply, but we’ll see what they can dig up!

Advertisements

NBtD_FancyThe hours are condensing down into minutes and ticking away until I will be on a plane and headed for Portland and the H.P. Lovecraft Film Festival. This will be my third or fourth year as a guest, not quite consecutively, at what has rapidly become my favorite convention. To make the whole thing sweeter, we’ll be celebrating the launch of the new deluxe edition of Never Bet the Devil & Other Warnings from Strix Publishing. Copies arrived at the Strix Publishing offices yesterday. I have now seen photographic evidence that the book is a real thing and have been assured that it will be present at the Festival!

I’ll be participating in the mass author signing, and also hanging around the Strix Publishing booth in the upper theatre lobby to sign books probably sometime on Saturday afternoon. The rest of the time I’ll be watching movies, jawing with people, or participating in panels and readings. I believe I’m on two panels, one dealing with foreign horror films so that I can annoy all the other panelists by jabbering about Matango and Noroi, and one on fungi (where I can also talk about Matango)!

Unfortunately, I’m not feeling as much better as I had hoped to by now, but unless I take a massive turn for the worse in the next day or so, I’m better enough to head to the Festival. If you see me and I’m looking paler or more uncomfortable than usual, apologies in advance. I’m not contagious or anything, just stuck with a bunch of lingering symptoms that seem to have no intention of vacating the premises in a timely fashion.

In spite of my slow decay, I am extremely excited about the Festival, and especially can’t wait to see the world premiere of Phil Gelatt’s They Remain. For those who are coming out to the HPLFF, definitely track me down and say hi! I’m on the schedule, so I shouldn’t be too hard to find. And for those who won’t make it out, I’ll be posting to social media from the proverbial road, but you probably won’t hear from me on this here blog until I get back, so I’ll see you then!

 

So, good grief, I guess it’s been four years ago  already that I wrote a blog appreciation post on Mike Mignola’s birthday that said just about everything that I’m going to say here again, today. In the years that have passed since then, I’ve been fortunate enough to meet Mike several times in person, and chat with him frequently on Facebook. (I think I had already met him a time or two by then, as well.) In fact, there’s a fair-to-middling chance that he’ll read this, although maybe not, because he’s on the set of the new Hellboy reboot movie (!) right now, which probably means that he’s got better things to do.

In that four-year-old post, I mention a story that Mike often tells about how reading Dracula as a kid made him realize that all he wanted to do was draw monsters, and I say that it was Mike’s work on Hellboy that made me have a similar realization. That’s all still just as true today as it was four years ago. I’ve been in a lot of Lovecraft-themed anthologies over the years (more than any other kind). I came to Lovecraft early on, along with Barker and others, and he definitely had a big impact on my work. But if you really want to understand what I’m trying to do in my stories, you’re better off looking at guys like Manly Wade Wellman, William Hope Hodgson, and E.F. Benson. And I came to most of those guys through Mike.

More than just an artist, I was inspired by Mike as a storyteller. When someone asks me who my favorite artist or my favorite writer is, the answer is pretty much the same. His approach to the supernatural. His way of repurposing his own inspirations. His ability to make surrealism approachable, to make horror both creepy and fun. Those are what I aspire to in my own work.

If I had an inspirational quote tacked up above my desk (instead of a framed Mignola print), it would probably be this line from Alan Moore’s introduction to Hellboy: Wake the Devil, “… the trick, the skill entailed in this delightful necromantic conjuring of things gone by is not, as might be thought, in crafting work as good as the work that inspired it really was, but in the more demanding task of crafting work as good as everyone remembers the original as being.”

That or perhaps this perfect line from Joe R. Lansdale’s introduction to Baltimore: The Curse Bells, “Isn’t that the job of all great art, to kick open doors to light and shadow and let us view something that otherwise we might not see?” Put those two together, and you have a pretty succinct summary of what makes Mike’s works so brilliant, and what I strive toward whenever I sit down in front of the computer.

In that previous blog post, I mentioned that my first collection was dedicated to Mike, and that, if there were any others, they just as easily could be too. Since then, there has been one other, plus a variety of chapbooks, a collection of essays on vintage horror films, and even a licensed novel for Privateer Press. None of them are dedicated to Mike (I already used that dedication up early on), but most of them probably could be. And maybe it’s no coincidence that my first collection is due back in print in a new deluxe edition sometime in the next few weeks, with pre-orders closing literally tomorrow. When it’s released, that dedication to Mike will still be there, front and center.

So happy birthday to my favorite creator and my biggest creative inspiration. If you are (somehow) reading this and are unfamiliar with Mike’s staggering body of work, do yourself a favor and go pick up one of his many books. They’re all good.

Why can't they all be that easy

This hasn’t been a big year for conventions for me. While I attended the Outer Dark Symposium on the Greater Weird in Atlanta, I missed NecronomiCon by a hair, which means that I have to wait two more years for another chance to go rub shoulders with all the east coast weirdos. However, I will be attending the 22nd annual H.P. Lovecraft Film Festival in Portland the first full weekend in October.

What’s more, not only will I once again be attending as a guest, I’ll also be contributing to the round-robin Challenge from Beyond, which you can pick up as an add-on to your pledge to the HPLFF Kickstarter which, wouldn’t you know it, is happening now!

So why am I extra-excited about this particular HPLFF, besides that it’s still my favorite convention, I get to see a bunch of old friends and meet Phil Gelatt in person finally? Because the brand new, deluxe edition of Never Bet the Devil & Other Warnings from Strix Publishing will also be launching at the HPLFF this year! I recently saw photographic evidence of the proofs, which have arrived at the Strix Publishing offices, and the book should be ready by the time the festival rolls around. If you can’t make it to the fest and didn’t Kickstart the book, no worries, you can still pre-order a copy right here and they should ship around early October, if all goes according to plan!

I’m sure I’ll have more to say about the HPLFF as it draws nearer, but for now, I’ll see you there, if you’re going!

NBtD_Proof

Odds are you don’t need me to tell you that 2016 was a rough year. Even leaving aside any political… happenstance, we lost a lot of great people in 2016. Some were losses shared by the world, others hit closer to home. But if I restrict my sights to only those things that were localized entirely within the walls of my house, 2016 was actually a pretty good year. Freelance work picked up considerably from its low point in 2015, Grace got a new job that she is extremely happy with, and I published two books: Monsters from the Vault, a collection of my Vault of Secrets columns from Innsmouth Free Press, and The Cult of Headless Men, a chapbook novelette from Dunhams Manor with an incredible cover by Michael Bukowski.

Since my first collection, Never Bet the Devil & Other Warnings had fallen out of print at the end of 2015, this past year also saw the launch of a successful Kickstarter to get it back in print in a deluxe, fully-illustrated hardcover edition featuring killer art from my good friend MS Corley. The new edition is due out sometime this year from Strix Publishing, and should be available for order direct from them for those who missed the Kickstarter.

Following on the heels of the Kickstarter, the last few months of 2016 were a little hectic for me. I ended September with a tonsillectomy, which more or less put me out of commission for the month of October, and then spent November and December writing my first novel in only 53 days! For those who missed the previous announcement, that novel will be a Protectorate of Menoth novel set in the world of the Iron Kingdoms from Privateer Press. It’s the first in a proposed series called Fire & Faith, and the book itself is going to be called Godless. It’s due out later this year. I’ll be posting a lot more about it–and the process of writing it–once things have gone a little farther, but for now you can read a brief interview with me over at their blog.

Over the course of the year, I published only 6 new short stories (not counting The Cult of Headless Men), but I’m pretty proud of all of them. They showed up in venues like Autumn CthulhuSwords v. Cthulhu, Children of LovecraftEternal FrankensteinThe Madness of Dr. Caligari, and Gothic Lovecraft. (Lots of “Lovecraft” and “Cthulhu” titles this year.) Thanks to Children of Lovecraft, I finally got to check my lifelong dream of appearing behind a Mignola cover off my list, and my story from Autumn Cthulhu made the Bram Stoker Award reading list, which I think is a first for me. I also made my debut in the pages of Nightmare magazine, albeit in nonfiction form, writing an entry for their H Word column about creating and consuming horror that isn’t meant to be scary.

I didn’t read very many books in 2016 (a little less than 30, most of them graphic novels), but of those, a few were actually published in 2016 and were legitimately great, perhaps most notably Matthew M. Bartlett’s Creeping Waves and Jon Padgett’s The Secret of Ventriloquism. I was also lucky enough to provide blurbs for a couple of books that came out in 2016, including Pete Rawlik’s most recent addition to his rollicking Wold Newton-ish universe Reanimatrix, and Jonathan Raab’s The Lesser Swamp Gods of Little Dixie. (Though really, with a title like that, why do you need a blurb from me to sell it to you?)

I did watch a lot of movies in 2016, however. 333, to be exact. 47 of those were in the month of October, which is what happens when you have a tonsillectomy and can neither sleep nor do much else besides lay on the couch and watch movies. In continuing my efforts to see more movies that I haven’t seen than ones that I have, 197 of those movies were new-to-me, though of those only about 25 actually came out in 2016. Nothing I saw in 2016 ever managed to beat the first movie that I saw in theatres last year, so The Witch is probably still my favorite movie of the year. Other good ones that I saw include Green Room, I Am Not a Serial Killer, Ouija: Origin of Evil (yeah, I’m as surprised as you are), Captain America: Civil WarThe Nice GuysZootopiaThe Shallows, and the first half of The Autopsy of Jane Doe. The last movie that I watched in 2016 was Blood Diner, and the first one that I watched in 2017 was Cellar Dweller, so that seems about right.

In breaking with my annual tradition, there probably won’t be a Year in Creatures this year because, frankly, I just didn’t see enough movies in 2016 that had creatures in them. The big alien in Independence Day: Resurgence was totally wasted, and besides it and a few ghosts there was, what, a shark and that thing from I Am Not a Serial Killer? I guess Black Phillip would about have to be the Monster of the Year in 2016, though if there are good creatures I’m missing in movies that I didn’t see do please let me know, because I want to track them down!

In 2017 I’m hoping to read more books, which may entail watching fewer movies, but we’ll see how the year pans out. I’ve already picked up my full-weekend pass for Panic Fest this year, so that’s a pile of movies I’ll probably be seeing later this month. There’s a lot of cool stuff in the works for 2017, including that aforementioned novel, so you’ll be hearing from me more down the line. For now, let’s finish kicking the detritus of 2016 to the curb, and set our sights on getting through the next few days, months, and then years.

 

Well, the last few days have been extraordinarily busy and draining for me, to the surprise of probably no one. On Saturday night, I stayed out way too late watching mystery horror movies with the fine folks from the Nerds of Nostalgia podcast, thanks to whom I can now say that Texas Chainsaw Massacre 2 is a thing that I have experienced. Then Sunday I was supposed to introduce a screening of the Vincent Price/Roger Corman/Richard Matheson adaptation of The Pit and the Pendulum at the Screenland, but I got caught in a horrible traffic snarl, and so I ended up talking afterward. (Extroducing it?) I had a book giveaway and did a reading of my story “Guignol.”

Yesterday was my birthday, though I didn’t do a lot more to celebrate than what I’ve already mentioned here, having kind of partied out the night before with the movie marathon. Today I’m not doing a lot either besides catching up from all the aforementioned, but that doesn’t mean that a lot isn’t going on. Since it’s Halloween, we’ve got some special Halloween treats for all of you, including a free story! Head on over to the Word Horde website to read my story “Strange Beast,” about ghosts and kaiju and maybe the ghosts of kaiju absolutely free! “Strange Beast” was one of the original stories I wrote exclusively for Painted Monsters & Other Strange Beasts, and this is the first time it’s ever been available anywhere else!

Meanwhile, Simon Berman of Strix Publishing has fast-tracked a little Halloween treat for all those who’re waiting patiently for your copies of the new deluxe edition of  Never Bet the Devil & Other Warnings. The book contains an all-new story that happens to be Halloween themed, and Mike Corley has been kind enough to show off the excellent illustration that he’s done to accompany it.

Meanwhile, Brian Lillie has assembled a whole passel of authors to make suggestions for suitably spooky Halloween reading. My humble contribution includes tales by Silvia Moreno-Garcia, Jon Padgett, and Daniel Mills, all of which have been podcast by Pseudopod. That wasn’t an accident, and one of the reasons I chose to do it was because Pseudopod is currently running a Kickstarter. As part of that Kickstarter, they’re also putting together their first-ever anthology, which includes classic reprints along with all-new stories by yours truly, Damien Angelica Walters, A.C. Wise, and more! Here’s the newly-revealed table of contents, and we promise you, it’s true.

That’s just scratching the surface of what’s been going on lately, but I think for tonight it’s all I’ve got in me. Keep your jack-o-lanterns lit, have a happy Halloween, and always remember to check your candy…

I’ll leave you with what remains one of my all-time favorite Halloween illustrations by none other than the great Chris Sanders, and (unrelatedly) if you’re looking for something seasonal to do this evening,  you could do a lot worse than to plug a few hours into Halloween Forever!

chris-sanders-halloween

Over the last few weeks, I’ve acquired a lot of new Facebook friends and Twitter followers, thanks, I imagine, in no small part, to the recent Kickstarter to launch a deluxe second edition of my debut collection Never Bet the Devil & Other Warnings through my friends at Strix Publishing. Whatever it is that brought you here, though, I figure all these new faces are as good an excuse as any to stop, take a step back, and sort of remind everyone of who I am and what I do.

As my bio says, I’m a skeleton who likes monsters. I’m also a writer, editor, amateur film scholar, and monster expert who was born on the night before Halloween. (Before you ask, yes, skeletons are born, where else would we come from? We hatch out of coffins, just like everyone else.) I’m a full time freelance writer, and when I’m not doing content marketing work or writing licensed stuff for Privateer Press or penning articles about true crimes and other weirdness for The Lineup, I write stories about monsters, ghosts, and sometimes the ghosts of monsters.

My stories have appeared in dozens of anthologies, including Ellen Datlow’s Best Horror of the Year, and been collected into two collections, with a third on the horizon probably sometime in early 2018. Right now you can pick up Painted Monsters & Other Strange Beasts, my second fiction collection, from Word Horde, and that aforementioned deluxe edition of Never Bet the Devil & Other Warnings should be available to those who missed out on the Kickstarter very soon.

I have had stories recently published or forthcoming directly in Children of Lovecraft, which managed to cross two items off my bucket list (be in an original Ellen Datlow antho, and have something of mine appear behind a Mike Mignola cover), as well as Eternal Frankenstein, which you can pre-order now from Word Horde, The Children of Gla’aki which is nearing the end of a pre-order campaign at Dark Regions Press, and The Madness of Dr. Caligari, which you can pre-order from Fedogan & Bremer, to name just a few. I’ve also got a new novelette, The Cult of Headless Men, which is being released as a chapbook by Dunhams Manor, with an incredible cover by Michael Bukowski.

For a relatively succinct summary of my philosophy regarding my own work and my relationship with the genre of horror in general, check out my essay for Nightmare Magazine’s The H Word, “But Is It Scary?

I also spend an inordinate amount of time writing about horror movies, which you can find right here on my blog, as well as at my Patreon and occasionally other places, like the forthcoming October issue of Unwinnable, where I will be nattering on once again about Monster Squad, while all of my literary betters show me up by discussing more intellectual things, I have no doubt.

And if you can’t get enough of reading my rambling opinions on especially creaky old monster movies of yesteryear, all five-or-so years of my column on vintage horror cinema for Innsmouth Free Press have recently been collected into an affordable volume that you can buy right now, Monsters from the Vault.

So, for newcomers or those who just have a tough time keeping up, I think that’s a decent crash course in who I am and what I’ve been up to. There’s a lot more announcements in the works, so keep your radio tuned to this dial until long after you hear the static. That’s where the good stuff lurks…