It’s the first day of December, which means that I’ve finally started reading Matthew M. Bartlett’s Of Doomful Portent, illustrated by Yves Tourigny, which has been sitting on my shelf, taunting me for some time now. The plan is to do it up like a proper advent calendar and read one story a day from now until Christmas.
In the meantime, for those who can’t get enough of hearing me ramble about movies, you’ll be pleased to know that I’m going to be reviewing a lot more of them in the near future. Most of them won’t be here, however, they’ll be in various other venues, notably Signal Horizon, where I have the title of “Monster Ambassador,” maybe the best business title I have ever gotten, and Unwinnable.
Right now, you can read my recent reviews of the 40th anniversary Blu-ray of Lucio Fulci’s Zombie (which I had never actually seen before) and the Unearthed Films Blu-ray of The Unnamable (which I had also never seen before) over at Signal Horizon, and a double review of Torso and The Wizard of Gore are coming soon to Unwinnable.
I haven’t written a review for it anywhere, but if I only convince you to watch one movie in the immediate future, make it Errementari on Netflix. In a year without a Lowlife, Errementari would have no trouble being my favorite film of 2018 so far. As it is, the two are neck-and-neck. For some idea of what Errementari is like, think a Basque version of Pan’s Labyrinth set during the Carlist Wars, with suit actors playing devils that look like medieval drawings. In other words, it is extremely my jam.
As with most people, I’m sure, money is a bit tight as we head into the holiday season. If you happen to have anything to spare that you’d like to throw into my proverbial hat, this is my periodic reminder of my Ko-fi account, where you can help me pay for monster movies or (as is the more likely case of late) vet bills. Or, you can always buy yourself (or someone on your gift list) a copy of Guignol & Other Sardonic Tales or one of my other books. Every sale helps!