Well, another Panic Fest is more-or-less over. Technically, there’s another night or two of programming, and there’s a chance I may go out tomorrow night to catch Watcher or The Sadness, but give or take, it’s done.
I saw a few good movies, the best of which was probably Spider One’s Allegoria, and I saw a few bad movies, the worst of which was definitely Dashcam, which I described on Letterboxd as, “An absolute torrent of bafflingly terrible decisions wrapped around an adequate V/H/S segment.” Seriously, Dashcam is a piece of shit, and not in any remotely fun way. Don’t watch it, definitely don’t give it any money, and I’m done talking about it, because I don’t want to give it any oxygen.
As you can maybe guess from the Allegoria review up there, I was covering the Fest for The Pitch this year, and there are a few more reviews where that one came from, including a review of Midnight and capsule reviews for a few other highlights. Assuming I don’t make it out to any more, I’ll have seen nine films from this year’s Panic Fest, several of which I watched online rather than in-theatre for various reasons that include because there’s still a fucking pandemic on.
I also watched a few short films. I typically miss the short blocks at festivals, and I did this year, too, but I caught a few of the shorts online, including some where the filmmakers had reached out to me. A couple highlights include “The Pey,” about an Instagrammer who shares a gif and unleashes a monster, and “They See You,” which had its world premier at the Fest.
Something I did see in theatres was the new Doctor Strange, which I watched this morning and which I’m not going to talk about here because of spoilers and because we’ll be talking about it on the next episode of the Horror Pod Class, which is also why I saw it today. So tune in for that or, if you’re local, join us at the Stray Cat Film Center on May 24 at 7pm while we screen the very best Dr. Strange movie – the 1992 Full Moon classic Doctor Mordrid.