Now that it’s December, I think I can say with finality that 2020 will mark the first year since 2015 that I haven’t had a new book out with my name on the spine. It would be tempting to chalk this up to, y’know, 2020, and it’s certainly why there may not be one in 2021 either, but publishing is a slow business, and anything that was going to come out in this dark year would have already been in progress before the year began.
In actuality, there is no reason – either sinister or benign – for there not being a book this year, just as there is no real reason for their being a book each of those others. My first collection came out in 2012, the same year that I co-edited Fungi with Silvia Moreno-Garcia. My second, Painted Monsters & Other Strange Beasts, was released by Word Horde in 2015. The following year saw the release of Monsters from the Vault, a collection of short essays I had written as part of a column about vintage horror cinema for Innsmouth Free Press.
In 2017, I released both my first and, thus far, only novel – a licensed work for Privateer Press – and a hardcover reprint of my first collection, with a couple of new stories and all-new illustrations by M.S. Corley. 2018 saw the release of my third collection, again from Word Horde, while in 2019 a follow-up to Monsters from the Vault hit shelves.
I have more than enough stories to complete another collection – probably a couple more – but the time is not yet right for any of them. The stories are there, but they do not all fit together. Eventually, those stories will find other stories and together they will form the collections they are meant to inhabit. Until that time, I keep churning.
The next book that’s likely to come out with my name on the cover is probably going to be Neon Reliquary, the short, occult cyberpunk novel that is currently being released in serial form at the Broken Eye Books Patreon. Some delays happened, and they are my fault, but the second installment should be up in the next month or two.
Several stories have already made their way out into the public in various places that are part of a “story cycle” based around Hollow Earths and similar pseudoscience. Once all of those have made their initial bows, the plan is to collect them – along with some original content – into a book, as well. Almost all of them are written and either published or pending publication – one has even made it into the Best Horror of the Year and been reprinted at Nightmare magazine – but various factors have delayed, well, everything, right?
I spent November working on a 40,000 word tabletop gaming-related work-for-hire project that I should be able to announce probably early next year. I had a few new stories published in 2020 that I’m quite proud of. More than in 2019, though not by much. “Prehistoric Animals” in the Weird Fiction Review, “The All-Night Horror Show” at The Dark magazine, “Manifest Destiny” in The Willows Anthology, which also reprinted some of my unfortunate juvenilia from a bygone age, “Screen Haunt” in It Came from the Multiplex, and “The Double-Goer” in Between Twilight and Dawn.
I’ve also sold several stories that have yet to see publication but should be out sometime next year. A Lucio Fulci sword-and-sorcery tribute in Beyond the Book of Eibon, “The Robot Apeman Waits for the Nightmare Blood to Stop” in Tales from OmniPark – both of which were funded via Kickstarter – and new stories in that Hollow Earth “story cycle” I mentioned that will be out in New Maps of Dream from PS Publishing and Tales from Arkham Sanitarium from Dark Regions Press. Plus some others that I can’t name just yet.
2020 has been 2020 for everyone. Someone on one of the Slacks that I’m on said that we are all a decade older than we were this time last year, which sounds about right. But so far I’m hanging in there, and I’m still banging out words on the regular, so expect to see more from me as we end this accursed year and start another, hopefully better one.
I hope you’re all hanging in there, too. Stay safe, stay weird.